ReWriting Her Story

"Behind The Dance"

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π™°πšœ 𝚠𝚎 πšŒπš˜πš—πšπš’πš—πšžπšŽ πšœπšŽπšŠπšœπš˜πš— 𝟸 𝚘𝚏 β€œπšπšŽπš πš›πš’πšπš’πš—πš π™·πšŽπš› πš‚πšπš˜πš›πš’β€ 𝚠𝚎 𝚐𝚘 πš’πš—-πšπšŽπš™πšπš‘ πš πš’πšπš‘ πšŒπš‘πš˜πš›πšŽπš˜πšπš›πšŠπš™πš‘πšŽπš› πšŠπš—πš πšπšŠπš—πšŒπšŽπš› π™±πš›πš’πšπšπšŽπšπšπšŽ πš†πš’πš•πšœπš˜πš—
π™Έπš— πšŒπš˜πš—πšŸπšŽπš›πšœπšŠπšπš’πš˜πš— πš πš’πšπš‘ π™±πš›πš’πšπšπšŽπšπšπšŽ, 𝚠𝚎 πšŠπš’πš– 𝚝𝚘 πšπš’πšœπšŒπšžπšœπšœ β€œπ™±πšŽπš‘πš’πš—πš πšƒπš‘πšŽ π™³πšŠπš—πšŒπšŽβ€
π™³πš˜πš—β€™πš πšπš˜πš›πšπšŽπš 𝚝𝚘 πšπšžπš—πšŽ πš’πš— 𝚝𝚘 πš˜πšžπš› πŸΊπšπš‘ πšŽπš™πš’πšœπš˜πšπšŽ 𝚘𝚏 πšœπšŽπšŠπšœπš˜πš— πŸΈβ€¦ π™΅πš˜πš› πš–πš˜πš›πšŽ πš’πš—πšπš˜πš›πš–πšŠπšπš’πš˜πš—β€¦ πš‚πšπšŠπš’ πšπšžπš—πšŽπš.
πš†πšŽ πš πš’πš•πš• πš‹πšŽ πš™πš˜πšœπšπš’πš—πš πšπš‘πšŽ πšŽπš™πš’πšœπš˜πšπšŽπšœ πš‹πš’πš πšŽπšŽπš”πš•πš’ πš˜πš— πš‚πš™πš˜πšπš’πšπš’, π™°πš—πšŒπš‘πš˜πš›, π™Άπš˜πš˜πšπš•πšŽ π™Ώπš˜πšπšŒπšŠπšœπšπšœ, πš‚πš˜πšžπš—πšπ™²πš•πš˜πšžπš, π™±πš›πšŽπšŠπš”πšŽπš›, π™Ώπš˜πšŒπš”πšŽπšπ™²πšŠπšœπš πšŠπš—πš πšπšŠπšπš’πš˜π™Ώπšžπš‹πš•πš’πšŒ.
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ReWriting Her StoryBy IWO