This week on BEHIND THE LENS, we're looking at two films that, at their hearts, are about fathers and daughters/a father and son – the wonderful family film SKETCH and the fugitive thriller SHE RIDES SHOT GUN. Besides being solidly entertaining films, each delivers incredible performances by the young stars. And joining me to talk about these films are two amazing filmmakers, NICK ROWLAND, director and co-writer of SHE RIDES SHOTGUN, and SETH WORLEY, who makes his feature directorial debut as the writer, director, and editor of SKETCH.

First, let's take a look at SHE RIDES SHOTGUN. Based on the 2017 Edgar Award-winning novel of the same name by Jordan Harper, SHE RIDES SHOTGUN is an intimate two-hander and fast-paced fugitive thriller that turns heartrending and pulse-pounding. This is the story of "Nate" McClusky and his daughter, Polly, who are on an emotional, thrilling, terrifying road trip across New Mexico as Nate tries to escape his own past — or at least to protect his 11-year-old child from paying for his mistakes. Along the way, they take shocking risks, survive daunting threats, and become profoundly close. Polly musters courage and insight well beyond her years, and Nate displays vulnerability and fortitude he didn't know he had.

Switching gears to another father-daughter/father-son film, this one is for the whole family to enjoy – SKETCH. I love this film!!! It is fabulously fantastic. Creative, imaginative, vibrant, colorful, and filled with heart. Making his feature directorial debut with SKETCH is SETH WORLEY, who not only directs the film, but is writer and editor, as well as working on some of the CG compositing.

SKETCH is the story of the Wyatt family – dad Taylor, daughter Amber, and son Jack – along with Tony's sister Liz. Grieving the loss of their wife and mother, Amber is having a particularly difficult time coming to terms with her mom being gone. And Taylor and Jack are so worried about Amber that they forget about dealing with their own grief. Focusing her anger and grief into her art, the school psychologist encourages Amber to continue to draw, as it will channel her grief.

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