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After 50 years of making music, singer, songwriter, and composer Beverly Glenn-Copeland's genre-bending compositions are finally being celebrated. When he left New York in the early 1960s, he believed the future he was fixated on could not exist for him in the US. Copeland, a transgender black man whose obscure electronic sound and non-binary beliefs were ahead of their time, continued to create music from abroad while acting on the Canadian children’s show Mr. Dressup and writing for Sesame Street. On this episode of MoMA’s Magazine Podcast, Taja Cheek, assistant curator at MoMA PS1, sat down with Copeland the day after his sold out VW Sunday Sessions performance at MoMA PS1, to discuss his first return to the US in over 50 years, his father’s piano, and why he considers himself a grandparent to young creatives.
By momamagazine4.7
1313 ratings
After 50 years of making music, singer, songwriter, and composer Beverly Glenn-Copeland's genre-bending compositions are finally being celebrated. When he left New York in the early 1960s, he believed the future he was fixated on could not exist for him in the US. Copeland, a transgender black man whose obscure electronic sound and non-binary beliefs were ahead of their time, continued to create music from abroad while acting on the Canadian children’s show Mr. Dressup and writing for Sesame Street. On this episode of MoMA’s Magazine Podcast, Taja Cheek, assistant curator at MoMA PS1, sat down with Copeland the day after his sold out VW Sunday Sessions performance at MoMA PS1, to discuss his first return to the US in over 50 years, his father’s piano, and why he considers himself a grandparent to young creatives.

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