The Keyboard Chronicles

Bill Payne, Little Feat (Part 1)


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Bill Payne is a highly acclaimed American musician best known as a founding member and keyboardist of the iconic rock band Little Feat. With his keyboard skills, Bill has made significant contributions to Little Feat’s extensive discography, including hit songs like “Dixie Chicken,” “Willin’,” and “Fat Man in the Bathtub.” Throughout his career, Bill has collaborated with numerous renowned artists and his dedication to his craft and his remarkable musical prowess have firmly established him as a celebrated figure in the realm of rock and roll. In part 1 of this interview we cover off a heap of Little Feat history and a range of other topics.

To listen / watch:

  1. Audio-only: click on the play button in the audio player above, or:
  2. Video: watch the embedded video below or check it and previous episodes out on our YouTube Channel
  3. Discussion topics covered during the show (links will open in new tab):  

    The new Little Feat band lineup

    Oh Atlanta Live 2022

    Talking the re-release of the Sailin’ Shoes and Dixie Chicken albums

    Neon Park – album artist / graphic designer

    Bill talks about his upcoming memoir and Little Feat documentary

    On seeing The Yardbirds as young musicians

    Bill’s songwriting process and using a Zoom recorder to sketch out ideas

    Paul Muldoon – Poet

    Collaborating with other artists – what Bill believes he delivers

    Brilliant Paul Simon anecdote

    On being a ‘partner in crime’ with collaborators

    Working with Bonnie Raitt – Home Plate and Takin’ My Time

    Working with Bob Seger – Against The Wind and Hollywood Nights

    Working with Bryan Adams on ‘Everything I Do, I Do It For You’

    Bill’s discovery of synths in the early 70s and their role in his work since

    Playing realistic brass synth on ‘Let It Roll’ 

    Bill and Tommy Emmanuel – Cajun Girl

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    The post Bill Payne, Little Feat (Part 1) appeared first on The Keyboard Chronicles.

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    The Keyboard ChroniclesBy David Holloway

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