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I reviewed Netflix’ adaptation of “All Quiet on the Western Front” for the Patreon already, but now I want to do an in-depth-look with an expert and see whether my criticisms hold any merit. Aside from the new movie, we talk about the 1979 and 1930 adaptations, critically comparing them, “1917” and “At Journey’s End” and why World War I is so difficult an area for storytelling in general.
By Sean T. Collins & Stefan Sasse4.6
163163 ratings
I reviewed Netflix’ adaptation of “All Quiet on the Western Front” for the Patreon already, but now I want to do an in-depth-look with an expert and see whether my criticisms hold any merit. Aside from the new movie, we talk about the 1979 and 1930 adaptations, critically comparing them, “1917” and “At Journey’s End” and why World War I is so difficult an area for storytelling in general.

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