<p>Prof. Deanne Williams, author of Shakespeare and the Performance of Girlhood, discusses the Stuart masque, its meaning and its participants. From Margaret Board's Lutebook we hear lute arrangements of The Antiq Masque, The Witches Daunce, The Lady Phyllyes Masque, The Lady Elyza, her Masque, The Prince his Almayne and The Prince his Corrento played by John Edwards. </p>

Prof. Deanne Williams, author of Shakespeare and the Performance of Girlhood, discusses the Stuart masque, its meaning and its participants. From Margaret Board's Lutebook we hear lute arrangements of The Antiq Masque, The Witches Daunce, The Lady Phyllyes Masque, The Lady Elyza, her Masque, The Prince his Almayne and The Prince his Corrento played by John Edwards.

<p>Prof. Deanne Williams, author of Shakespeare and the Performance of Girlhood, discusses the Stuart masque, its meaning and its participants. From Margaret Board's Lutebook we hear lute arrangements of The Antiq Masque, The Witches Daunce, The Lady Phyllyes Masque, The Lady Elyza, her Masque, The Prince his Almayne and The Prince his Corrento played by John Edwards.&nbsp;</p>

Board Lutebook Podcasts - Deanne Williams - Masque Dances

The historical and cultural context of music of the Renaissance at home, in court, in Shakespeare's theatre and beyond.

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Board Lutebook Podcasts - Deanne Williams - Masque Dances

Board Lutebook Podcasts - Deanne Williams - Masque Dances