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Some of the era's best comedians left the jokes at home when they stepped up to the Suspense microphone. In this bonus episode, we'll hear these funny men and women play effectively against type in five radio thrillers. First, Danny Kaye schemes to bump off a rival and steal his girl in "The Too-Perfect Alibi" (originally aired on CBS on January 13, 1949). Then, Fibber McGee and Molly take a car trip with an uninvited passenger in "Backseat Driver" (originally aired on CBS on February 3, 1949) and Bob Hope tries to talk his way out of a date with a killer in "Death Has a Shadow" (originally aired on CBS on May 5, 1949). Finally, Milton Berle tries method acting as a way to beat a murder rap in "Rave Notice" (originally aired on CBS on October 12, 1950) and Eve Arden is a jilted woman with murder on her mind in "The Well-Dressed Corpse" (originally aired on CBS on January 18, 1951).
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Some of the era's best comedians left the jokes at home when they stepped up to the Suspense microphone. In this bonus episode, we'll hear these funny men and women play effectively against type in five radio thrillers. First, Danny Kaye schemes to bump off a rival and steal his girl in "The Too-Perfect Alibi" (originally aired on CBS on January 13, 1949). Then, Fibber McGee and Molly take a car trip with an uninvited passenger in "Backseat Driver" (originally aired on CBS on February 3, 1949) and Bob Hope tries to talk his way out of a date with a killer in "Death Has a Shadow" (originally aired on CBS on May 5, 1949). Finally, Milton Berle tries method acting as a way to beat a murder rap in "Rave Notice" (originally aired on CBS on October 12, 1950) and Eve Arden is a jilted woman with murder on her mind in "The Well-Dressed Corpse" (originally aired on CBS on January 18, 1951).
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