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In this unedited bonus episode, I speak with Catrina McHugh from Open Clasp Theatre about creating activist performance with women affected by exclusion. We discuss how the company’s work has been both incredibly local to the North East of England and has also travelled to audiences from New York to New Zealand. We talk about how amplifying often unheard voices can transcend the prison walls and resonate across geographies.
Host Dr Sarah Bartley
Thanks go to staff at the Royal Central School of Speech and Drama, particularly Laura Wardle, Phil Rowe, Samuel Bailey, Bryce Lease, Amy Ryall, and Izzy Stuart.
Stages of Justice was funded by the Arts and Humanities Research Council, with additional support from Royal Central School of Speech and Drama.
By Sarah BartleyIn this unedited bonus episode, I speak with Catrina McHugh from Open Clasp Theatre about creating activist performance with women affected by exclusion. We discuss how the company’s work has been both incredibly local to the North East of England and has also travelled to audiences from New York to New Zealand. We talk about how amplifying often unheard voices can transcend the prison walls and resonate across geographies.
Host Dr Sarah Bartley
Thanks go to staff at the Royal Central School of Speech and Drama, particularly Laura Wardle, Phil Rowe, Samuel Bailey, Bryce Lease, Amy Ryall, and Izzy Stuart.
Stages of Justice was funded by the Arts and Humanities Research Council, with additional support from Royal Central School of Speech and Drama.