Part 2 of 2

Year: 1992

Albums: Wings of Joy, Cranes

The Marble Index, Nico

At journey's end, our doom-laden dreamers contemplate the fate of goth at the passing of its first golden age. With the big names gone or ploughing very different furrows, how did the faithful keep the flame of darkness burning? By creating a club scene and by forming their own bands in the underground indie scene. Stuart, guest contributor for this week, shares his first-hand knowledge of this scene, showing how it fulfilled the need to keep the shadows dancing, keeping the space of creative suffering open for all who feel compelled to travel the gloomy dominions of the human soul.

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Part 1 of 2

Year: 1992

Albums: Wings of Joy, Cranes

The Marble Index, Nico

Finally, our misbegotten heroes arrive at their final podcast, calling upon a special guest to help them explore the fate of goth and alternative in the 1990s. Stuart collaborated with both Nick and Simon in their far-from-legendary bands, and went on to rack up a tour of duty as guitarist for bona fide goth success Children on Stun, after founding member Simon Manning sadly shuffled off this mortal coil. Paying tribute to Simon and charting the persistence of goth in its more underground forms throughout the lean 90s, our trio of miserabilists celebrate the undying appeal of the music and culture of the shadows.

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Part 2 of 2

Year: 1991

Albums: Odds 'n' sods, one-hit wonders, outliers & honourable mentions

Continuing their grab-bag of oddities and outlier tracks, our diminutive weirdos hold up Flesh for Lulu, Leonard Cohen and, dare I say it, even a track by Ultravox for special mention. In the stories of their lives, the year of 1991 saw dreams begin to fade and new ideas take their place, as the horizons of adulthood loomed more solidly into view.

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Part 1 of 2

Year: 1991

Albums: odds 'n' sods - one hit wonders, outliers & honourable mentions

Our trad-goth raggedy men turn their attention to that miscellany of one-off favourites that helped complete their constellation of beloved goth and alternative tracks. From unsigned bands with nothing to lose, to uncharacteristically dark offerings from otherwise uncool mainstream bands, the list is refreshing, revealing and not a little controversial.

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Part 2 of 2

Year: 1990

Albums: Love, The Cult

Les Mystere de Voix Bulgares (4AD compilation)

Our nocturnal seekers of solace turn their thoughts to two very different albums, one a reverb-drenched rock-inflected anthemic classic, one an otherworldly choral journey thru the strangest recesses of the human soul. Along the way they find a (more or less) definitive answer to the question of the ages: what is goth?

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Part 1 of 2

Year: 1990

Albums: Love, The Cult

Les Mystere de Voix Bulgares (4AD Compilation)

As a decade comes to a close, Nick's band plays their biggest London gig, but on the other side of the mountaintop a painful descent awaits. Simon heads back to his hometown for a year out, finds himself a soul-crushing job in the infamous hive of drudgery atop the hill, but finds a way of piecing together life's fragments in his first recorded songs.

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Year: 1989

Albums: Dawnrazor, Fields of the Nephilim

Radio Ethiopia, Patti Smith Group

Patti Smith's revolutionary rock is in the air, as is the smell of Nick cooking bacon in Simon's vegetarian-only frying pan, this week. We discover how our weedy heroes found their dream flat in Camden High Street, only for it to be plunged into darkness and nightmare as the skylight went out. A goth hothouse was born, burned for a little while, then puttered out. Oh, the merciless scourings of time!

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Part 1 of 2

Year: 1989

Albums: Dawnrazor, Fields of the Nephilim

Radio Ethiopia, Patti Smith Group

A divine 'derangement of the senses' was the order of the day, and Simon and Nick went about the task with true dedication. Moving into a flat across the road from the legendary Camden Palace club in London, heady days of smoke, noise, intense discussion and musical exploration ensued. An unforeseen windowless darkness descended from above. O Lord, were these headless, heedless pilgrims prepared? Does a goth where any colour except purple?

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Part 2 of 2

Year: 1988

Albums: Dark Adapted Eye, Danielle Dax

The Serpent's Egg, Dead Can Dance

From a glorified shed on an allotment in Brighton, UK, our simpering heroes try to make the best of life during the pandemic, getting straight into the featured albums - Nick experiences his first spiritual flight via the haunting melodies and choral majesties of Dead Can Dance. Simon shares his passion for the kaleidoscopic confection of styles and moods in Danielle Dax's unjustly neglected output.

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Part 1 of 2

Year: 1988

Albums: Dark Adapted Eye, Danielle Dax

The Serpent's Egg, Dead Can Dance

It's on! The wildest year of our simmering heroes' saga of heartache, triumph and disaster arrives. Simon finds himself in the forest of the London night, partying, protesting and writing essays under the influence. Nick plays a showcase gig in Covent Garden, hoping for every talent scout and A&R man in town to beg Felo de Se to sign with their label. The band's goth origins and future direction causes rising tension. And the two unfortunates, poor fools that they were, embark upon an LSD night that will leave them haunted and scarred.

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