Orange Juice for the Ears with Beatie Wolfe

Bridges: Dream Corps CEO Nisha Anand


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Beatie Wolfe interviews radical feminist, punk rock activist and Dream Corps CEO Nisha Anand about her work at the intersection of criminal justice reform, green economics and tech equity. Listen to this show that takes you from a partitioned India to passing the First Step Act via the philosophy of building bridges wherever and whenever we can.


Orange Juice for the Ears with “musical weirdo and visionary” (Vice) Beatie Wolfe explores the power of music across Space, Science, Art, Health, Film & Technology by talking to the leading luminaries in each field from Nobel Prize winners to multi-platinum producers and hearing the music that has most impacted them, their “Orange Juice for the Ears”. Beatie Wolfe is an artist who has beamed her music into space, been appointed a UN Women role model for innovation, and held an acclaimed solo exhibition at the V&A Museum. Named by WIRED as one of “22 people changing the world,” Beatie Wolfe is at the forefront of pioneering new formats for music that bridge the physical and digital, which include: a 3D vinyl for the palm of your hand; a wearable record jacket – cut by Bowie/Hendrix’s tailor out of fabric woven with Wolfe’s music – and most recently the world’s first live 360 AR stream from the quietest room on earth. Wolfe is also the co-founder of a “profound” (The Times) research project looking at the power of music for people living with dementia.


Nisha Anand’s Orange Juice for the Ears

  • First song that imprinted? “Just Like Heaven” by The Cure /  
  • First album that shaped who you are? “Nite Klub” by The Specials – from their self titled album /  
  • The music you would send into Space? “Without a day” by Car vs. Driver /  
  • The song you would have at your memorial? “Requater” by Ida /  
  • The album you would pass onto the next generation? “Boxcar” by Jawbreaker’s – from the album 24 Hour Revenge Therapy //.

  • This show first aired live on dublab radio. The podcast was mastered by Dean Martin Hovey.

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