We was talking clowns and that got me on the ha-has. 

The Party as a Comedy Troupe

• Most D&D tables accidentally become improv comedy theater.
• “Every game starts as Game of Thrones and ends as Monty Python.”
• Long campaigns kind of naturally develop bits and recurring gags
• Players have a tendency to start to fall into roles associated with ensemble comedy subconsciously.

Quotes

• I don’t know what to tell you, man - people are gonna quote D20, Critical Roll, Monty Python
• They aren’t necessarily meant to be funny? They’re more like a cultural shorthand and rituals for belonging.
• They say “I am one of you, I know the right scripts, I can do the call-and-response!” 
• It’s like a meta-textual handshake of sorts.
• Often, the quotes mutate or change over time to become more specific to your group.

The Bits

• Every group, whether gaming or not, develops an internal economy. 
• A bit is currency - you can buy attention or affection with it.
• You trade a bit for laughs or groans or the DM watching their soul evaporate into sighs.
• In some ways, tables will self-regulate this economy.
• Good bits live on, bad bits die, Legendary Bits may transcend this table or this game and be used at others. 

Modern table comedy is deeply parasocial.

• Many players have internalized the cadence of Brennan Lee Mulligan, Aabria Iyengar, or Matt Mercer.
• Quoting or mimicking them isn’t laziness — it’s a way to align tone and show respect.
• But it can also blur identity: Are we referencing their games, or ours?
• Is the humor derivative, or are we participating in a shared meta-culture of play?
• This creates a kind of folk comedy canon — the oral tradition of Actual Play media.

The Function of Comedy in Collaborative Play

• It defuses tension, reinforces bonds, and stitches continuity across long gaps.
• Laughter is a feedback loop of participation — even disengaged players rejoin the moment when someone lands a good bit.
• Table humor = the heartbeat of the group.
• In many ways, the group’s sense of humor defines its culture more than its ruleset.

The Meta Bit: When the Table Knows It’s a Show

• For Actual Play games, humor becomes performative.
• The “table” has a secondary audience.
• Every joke carries dual awareness:
• Does it land here?
• Does it land out there?
• The bit becomes both a bonding mechanism and part of the brand.
• You joke different if you know your joke could be on a mug forever.