Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With Anthony Ross portraying Times Square Detective Danny Clover, the show originated from New York during its first three months on the air. For the remainder of the series, the role of Detective Danny Clover was portrayed by Larry Thor. The series featured music by Robert Stringer, and scripts by Peter Lyon. John Dietz directed for producer Lester Gottlieb (eventually succeeding him as producer). Bern Bennett was the original announcer. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton S. Fine and David Friedkin.---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listen<a href="https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------" rel="noopener">https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------</a> Support this podcast at — <a href="https://redcircle.com/broadway-is-my-beat/donations" rel="noopener">https://redcircle.com/broadway-is-my-beat/donations</a> Advertising Inquiries: <a href="https://redcircle.com/brands" rel="noopener">https://redcircle.com/brands</a> Privacy & Opt-Out: <a href="https://redcircle.com/privacy" rel="noopener">https://redcircle.com/privacy</a>

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With Anthony Ross portraying Times Square Detective Danny Clover, the show originated from New York during its first three months on the air. For the remainder of the series, the role of Detective Danny Clover was portrayed by Larry Thor. The series featured music by Robert Stringer, and scripts by Peter Lyon. John Dietz directed for producer Lester Gottlieb (eventually succeeding him as producer). Bern Bennett was the original announcer. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton S. Fine and David Friedkin.---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listenhttps://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------Support this podcast at — https://redcircle.com/broadway-is-my-beat/donationsAdvertising Inquiries: https://redcircle.com/brandsPrivacy & Opt-Out: https://redcircle.com/privacy

Broadway Is My Beat, a radio crime drama, ran on CBS from February 27, 1949 to August 1, 1954. With Anthony Ross portraying Times Square Detective Danny Clover, the show originated from New York during its first three months on the air. For the remainder of the series, the role of Detective Danny Clover was portrayed by Larry Thor. The series featured music by Robert Stringer, and scripts by Peter Lyon. John Dietz directed for producer Lester Gottlieb (eventually succeeding him as producer). Bern Bennett was the original announcer. Beginning with the July 7, 1949 episode, the series was broadcast from Hollywood with producer Elliott Lewis directing a new cast in scripts by Morton S. Fine and David Friedkin.---------------------------------------------------------------------------Sherlock Holmes Radio Station Live 24/7 Click Here to Listen<a href="https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------" rel="noopener noreferrer">https://live365.com/station/Sherlock-Holmes-Classic-Radio--a91441----------------------------------------------------------------------------</a> Support this podcast at — <a href="https://redcircle.com/broadway-is-my-beat/donations" rel="noopener noreferrer">https://redcircle.com/broadway-is-my-beat/donations</a> Advertising Inquiries: <a href="https://redcircle.com/brands" rel="noopener noreferrer">https://redcircle.com/brands</a> Privacy &amp; Opt-Out: <a href="https://redcircle.com/privacy" rel="noopener noreferrer">https://redcircle.com/privacy</a>

Broadway Is My Beat_53-10-14_(187)_The Cora Lee Murder Case

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster."Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.Listen to our radio station Old Time Radio <a href="https://link.radioking.com/otradio" target="_blank" rel="noreferrer noopener">https://link.radioking.com/otradio</a>Listen to other Shows at My Classic Radio <a href="https://www.myclassicradio.net/" target="_blank" rel="noreferrer noopener">https://www.myclassicradio.net/</a><a href="https://www.patreon.com/entertainment_radio" target="_blank" rel="noreferrer noopener">Entertainment Radio | Broadcasting Classic Radio Shows | Patreon</a> Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

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The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster."Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.Listen to our radio station Old Time Radio https://link.radioking.com/otradioListen to other Shows at My Classic Radio https://www.myclassicradio.net/Entertainment Radio | Broadcasting Classic Radio Shows | PatreonRemember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

The era of radio drama was a time when storytelling was a purely auditory experience, and "Broadway Is My Beat" was a shining example of this art form. Running on CBS from 1949 to 1954, this radio crime drama painted a vivid picture of New York City's underbelly, with Times Square Detective Danny Clover at the center of the action.The show began with Anthony Ross voicing Detective Clover, bringing to life the gritty streets of New York during its first three months. However, it was Larry Thor who would become synonymous with the role for the remainder of the series. The atmospheric music by Robert Stringer and scripts by Peter Lyon set the tone for the dark and moody narratives that unfolded each week.Directed by John Dietz and later produced by Lester Gottlieb, "Broadway Is My Beat" made a significant move from New York to Hollywood. This transition marked a new era for the show, with producer Elliott Lewis at the helm, introducing new scripts by Morton S. Fine and David Friedkin. The iconic opening theme, "I'll Take Manhattan," perfectly encapsulated the essence of Detective Clover's world, from Times Square to Columbus Circle.The show was a collaborative effort, with music by Wilbur Hatch and Alexander Courage complementing the storytelling. The sound effects team, consisting of David Light, Ralph Cummings, and Ross Murray, played a crucial role in recreating the bustling soundscape of Manhattan.The announcers, Bill Anders and Joe Walters, along with a supporting cast featuring Charles Calvert and Jack Kruschen, brought additional depth to the series. Notable guest stars from television, radio, and film graced the episodes, adding star power and variety to the show's roster."Broadway Is My Beat" remains a testament to the golden age of radio drama, showcasing the power of sound to transport listeners to another time and place. It serves as a reminder of the rich history of storytelling before the visual dominance of television and film. For those who yearn for the nostalgia of radio's heyday, "Broadway Is My Beat" is a timeless treasure worth revisiting.Listen to our radio station Old Time Radio&nbsp;<a href="https://link.radioking.com/otradio" rel="noopener noreferrer">https://link.radioking.com/otradio</a>Listen to other Shows at My Classic Radio&nbsp;<a href="https://www.myclassicradio.net/" rel="noopener noreferrer">https://www.myclassicradio.net/</a><a href="https://www.patreon.com/entertainment_radio" rel="noopener noreferrer">Entertainment Radio&nbsp;| Broadcasting Classic Radio Shows | Patreon</a> Remember that times have changed, and some shows might not reflect the standards of today’s politically correct society. The shows do not necessarily reflect the views, standards, or beliefs of Entertainment Radio

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