https://stungrecords.bandcamp.com/album/drave-opticon

Roel Funcken _ Drave Opticon EP

1.Felting Bogrow
2.Podoserpula Mirander
3.Byzantine 2066
4.Elso’s Kattic
5.Drave Opticon

All tracks written and produced by Roel Funcken

linktr.ee/roelfuncken

Artwork by Roel Funcken called “Antheraea Holyphemux”

Mastered by Snap Mastering.
www.snapmastering.com

Released on Stung Records
www.facebook.com/stungrecords/

https://stungrecords.bandcamp.com/album/drave-opticon Roel Funcken _ Drave Opticon EP 1.Felting Bogrow 2.Podoserpula Mirander 3.Byzantine 2066 4.Elso’s Kattic 5.Drave Opticon All tracks written and produced by Roel Funcken linktr.ee/roelfuncken Artwork by Roel Funcken called “Antheraea Holyphemux” Mastered by Snap Mastering. www.snapmastering.com Released on Stung Records www.facebook.com/stungrecords/

Byzantine 2066

Roel Funcken officially popped up on the scene in 2010, with his solo debut, titled Vade, out on Ad Noiseam. But fans of electronic music, and IDM in general, have been tracking this Dutch musician for over a decade prior, when, along with his brother, Don, the duo has released some of the genre defining music on labels such as Djak-Up-Bitch, Schematic, Sublight Records, Neo Ouija, n5MD , Arcola (Warp) as the one and only Funckarma. In 2009 the Funcken brothers kicked off their very own, digital-only, Funcken Industry imprint, which hosted a few of their other projects and offshoots, such as Shadow Huntaz, Scone, Quench, Automotive, and the latest from Roel's solo works. Roel continues to influence the evolution of music through numerous releases (Sapper Morton on Analogical Force, Semtinal Convex on Methlab and Prester Hynn on his own imprint to name a few) and active engagement in the community, with music festival curation, mixes on mixlr and soundcloud and weekly playlists on Soundcloud and spotify. Roel's music is advanced in sound design, often incorporating unique experimentation in electronic sound, with cut-up, twisted, atmospheric sonic soundscapes, leaving the cranium always begging for more. His ambient textures maintain a cinematic quality throughout, while his percussive arrangements retain a constantly mutating framework, always reconstructing its rhythm and structure, contradicting complex configurations and minimal design. It's always a pleasure to taste the latest treat from this aural engineer, and find the latest gem in his never-ending arsenal of sound. Definitely check out his music Funck’d subscription on bandcamp to check out his latest tracks and get some exclusive material).

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Byzantine 2066

Byzantine 2066