Sunder Aaron [01:46] from Locomotive Global – producer of Netflix India Ray Donovan remake Rana Naidu – and Kalpana Malviya [12:11] of Rarefied Studio, discuss the Indian marketplace and US$6bn content opportunity it presents; while Pernel Media's Samuel Kissous [24:51] details how recent 5/Canal+ drama The Au Pair was put together and explores current programme financing.

After CBS cancels The Late Show with Stephen Colbert as parent Paramount Global seeks approval for its US$8bn Skydance merger, C21's Jordan Pinto dissects the story [02:26]; and Mix Tape exec producer Marc Lorber reveals the intricacies of financing the Irish-Australian drama and broader funding opportunities in the present economic environment [18:40].

Ampere principal analyst Rahul Patel [01:24], Hallmark chief marketing officer Darren Abbott [07:58] and Happy Accidents senior VP of international sales Louise Oliver [24:57] prepare for the festive season as C21 investigates why Christmas begins in July for the TV industry, exploring the latest trends shaping holiday programming and feelgood TV movies.

Children's Media Conference editorial director Greg Childs reacts to news of a UK inquiry into kids' TV in the era of YouTube [01:52]; Plimsoll's Karen Plumb and Andrea Jackson talk ITV's Shark! Celebrity Infested Waters [14:42]; and SkyShowtime's Monty Sarhan and Edyta Pytlewska-Mele detail the streamer's content strategy [29:56].

Director and exec producer Jack Bender, creator and exec producer Benjamin Cavell and MGM+ chief Michael Wright discuss new Stephen King thriller The Institute [01:38]; and Uzo Oleh, writer and director of Beth, reflects on making Channel 4’s first digital original drama commissioned for YouTube and its own linear and streaming channels in the UK [29:10].

As news of Off the Fence going bankrupt sends tremors through the documentary sector and speculation over PBS's future continues, C21's Clive Whittingham speaks with Sunny Side of the Doc director Aurélie Reman [19:54], France Télévisions' Caroline Behar [29:55] and ITV Studios' Cecilie Olsen [39:45] in La Rochelle and contrasts the event with last week's Sheffield DocFest.

MCTV: From the Monte Carlo Television Festival in Monaco, Scott Free Productions' David W Zucker [15:00] and exec producer Rola Bauer [31:30] discuss their latest series and perspectives on the present state of the industry; and actresses Famke Janssen [42:00] and Sarah Rafferty [53:00] reflect on their careers to date, how the decisions they made shaped these and their current projects.

C21's Jordan Pinto reports from the Banff World Media Festival on renewed optimism in the Canadian TV industry [01:36]; screenwriter Samantha Strauss on her Netflix dramas Apple Cider Vinegar and Grown Ups [20:12]; and Łukasz Kłuskiewicz, director of film and content acquisitions for Netflix in Central and Eastern Europe, details the streamer's content strategy across the region [39:20].

CONTENT WARSAW: As Content Warsaw 2025 wraps in the Polish capital, C21's Ed Waller and Neil Batey discuss the topics top of mind for execs at this year's event and give their perspective on the issues shaping the Central and Eastern European TV market right now [01:12]; while Warner Bros Discovery Poland's Dorota Eberhardt and Bogumił Lipski share their views on the return of the HBO Max brand and their programming strategy [17:46].

With Poker Face returning on Peacock, creator Rian Johnson discusses the case-of-the-week crime drama and collaborating with star Natasha Lyonne [01:39]; Spotter president Nic Paul on working with Dude Perfect and Mr Beast to help build the creator economy [18:32]; former ITV Studios exec Pascal Dalton shines a spotlight on new formats venture Shimmer Media [39:28].