Caliber 9 From Outer Space

About face! Sakana joins us this week to check out some seminal body-horror films: Eyes Without a Face (1960), directed by Georges Franju, and The Awful Dr Orlof (1962), directed by Jess Franco. Doctoral God complexes, the French scars of Nazi occupation, and the proliferation of blind killers in European films of the 1960's - we discuss all this and more.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Eyes Without a Face by skipping ahead to the 1:15:10 mark, and for The Awful Dr Orlof by skipping ahead to 1:52:29.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Nick Langdon joins us this week to tinker and tailor another intriguing double feature discussion. We check out Funeral in Berlin (1966), directed by Guy Hamilton, and The Soldier (1982), directed by James Glickenhaus. We'll dive deep into Cold War lore and the joy of "shabby" spy stories, while exploring the usual array of oblique asides such as gratuitous blood squibs, phallic bollards, Uzi pirouettes and Klaus Kinski's manic desire to steal the tightest ski pants in the Alps.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Funeral in Berlin by skipping ahead to the 1:08:13 mark, and for The Soldier by skipping ahead to 1:41:26.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

Al joins us once again to discuss Five Dolls For An August Moon (1970), directed by Mario Bava, and My Sister in Law (1976), directed by Lucio Fulci. Our conversation ranges across such topics as aristocratic Italian actors, the advisability of wearing budgie-smugglers at a weekend house party, the many riffs of Agatha Christie's seminal slasher-whodunit, Muppets songs lifted from Mondo films, and of course a deep appreciation of the work of the great Edwige Fenech (including how to say her name properly).

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Five Dolls For An August Moon by skipping ahead to the 59:59 mark, and for My Sister in Law by skipping ahead to 1:52:13.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

This week, special guest Jerry McGlothlin joins Joe and Rob to check out Contraband (1980), directed by Lucio Fulci, and then The Astrologer (1976), directed by Craig Denney. Explicit gory gang violence followed by gratuitous sidereal astrology and the awesome delusional ego of Craig Denney. It's a hell of a combo.

It's not really possible to spoil The Astrologer, but we will call out Spoiler Territory for Contraband. If you want to skip ahead from that point, you can rejoin the conversation at the 1:11:31 mark to avoid spoilers.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

Check out Lead, White and Blue by Wesley Sharer

We got Post Tromatic Stress Disorder this week on Caliber 9 From Outer Space. Special guest John Horgan joins us to discuss two schlocktastic flicks from Troma Entertainment: Mother's Day (1980), directed by Charles Kaufman, and Father's Day (2011), directed by the "Astron 6" guys. Leave all good taste at the door, you can pick it up again on the way out.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Mother's Day by skipping ahead to the 1:08:37 mark, and for Father's Day by skipping ahead to 1:43:29.

Want to get in touch? You can reach us on [email protected]

Check out John's show, And Now For Something a Little Bit Different, on YouTube!

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Eleven hundred men went in the water, only Joe and Rob come out, and the sharks took the rest. Also the pigs. It's Jawsploitation week and we check out Razorback (1984), directed by Russell Mulcahy, and Cruel Jaws (1995), directed by Bruno Mattei.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Razorback by skipping ahead to the 57:55 mark, and for Cruel Jaws by skipping ahead to 1:45:09.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Can a riveting thriller be based on the game of chess? This question has plagued cinema philosophers for time immemorial but Joe, Rob and Bryce deliver the definitive resolution! We check out Night Moves (1975), directed by Arthur Penn, and Knight Moves (1992), directed by Carl Schenkel.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Night Moves by skipping ahead to the 1:15:47 mark, and for Knight Moves by skipping ahead to 2:03:49.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Do you expect us to talk? Bondsploitation week here at Caliber 9 HQ. Dr Ethan "No" Lyon joins us again to discuss a couple of hits from this very deep exploitation well: No. 1 of the Secret Service (1977), directed by Lindsay Shonteff, and For Y'ur Height Only (1981), directed by Eddie Nicart. Far too many boob jokes, possibly, but the perfect portion of big blokes getting kicked in the balls by a little bloke. It's a mixed bag.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for No. 1 of the Secret Service by skipping ahead to the 1:25:45 mark, and for For Y'ur Height Only by skipping ahead to 1:55:44.

Want to get in touch? You can reach us on [email protected]

Details for Ethan's latest event can be found here!

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

Film-maker James T Williams joins Joe, Rob and Bryce to discuss a couple of foxy spy thrillers with an aeronautical twist! We check out Firefox (1982), directed by Clint Eastwood, and Foxbat (1977), directed by Po-Chih Leong. Clint having existential nightmares in bathrooms, Warren Clarke bashing people without warning, Henry Silva hiding cameras in his eye and microfilms in lollies... this week's double feature has it all!

We will be announcing a Spoiler Territory section for Firefox, so you can then skip ahead to the 1:05:03 mark to avoid spoilers. We didn't think you can really spoil Foxbat.

Watch James T Williams' excellent short film, Irrefutable Evidence here. James' other films can be found on YouTube at Joefest and Mr Glass Productions, and his 2007 feature, Waiting for Dawn is freely available here.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Our closing music this week comes courtesy of The Briefest Echo of Lemon and their track "Akeld Burn" (K. Darke, T. Morton, J. Ramsden, A. McKinnon) © 2024

It's Hammer Horror time! Dr Ethan joins us to review a couple of perhaps lesser-celebrated classics from the famous British production house: The Devil Rides Out (1968), directed by Terence Fisher, and Captain Kronos: Vampire Hunter (1974), directed by Brian Clemens.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Devil Rides Out by skipping ahead to the 1:27:32 mark, and for Captain Kronos: Vampire Hunter by skipping ahead to 2:00:05.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp