The Walking Dead's Charlie Adlard joins us this week to talk comic books, kaiju and the iconic art of Saul Bass. Together we check out Bass' sole feature as a director, Phase IV (1974), followed by Destroy All Monsters (1968), directed by Ishiro Honda.

It's not really possible to spoil Destroy All Monsters but we will call out Spoiler Territory for Phase IV. If you want to skip ahead from that point, you can rejoin the conversation at the 1:14:28 mark to avoid spoilers.

Want to get in touch? You can reach us on [email protected]

For the best overview of Charlie Adlard's amazing career as one of the world's foremost comic book artists, go to charlieadlard.com His latest book, Heretic is available on Amazon and via all good booksellers. Look out for his upcoming book, Altamont, which is slated for an English language release later in 2025.

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

This week we are celebrating the diva that was Elizabeth Taylor! Sakana joins us once again to celebrate the work of this prodigious star - with a close look at two of her most bizarre and off-kilter projects: the Italian psychosexual thriller, Identikit (1974), directed by Giuseppe Patroni Griffi, and Tennessee Williams' Boom! (1968), directed by Joseph Losey. Macrobiotic orgasms, bomb attacks on the streets of Rome, Richard Burton getting attacked by dogs and then sulking about not being fed enough, plus cameo appearances by Andy Warhol and Noël Coward. It's a wild ride, folks.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Identikit by skipping ahead to the 1:25:00 mark, and for Boom! by skipping ahead to 2:08:02.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

There's mad, and then there's MAD. John Horgan joins us this week to check out Madhouse (1981), directed by Ovidio Assonitis, and then Watch Out, We're Mad (1974), directed by Marcello Fondato. Sheer slasher insanity from the deep south, followed by chases and fights a-plenty with Bud Spencer and Terence Hill.

It's not really possible to spoil Watch Out, We're Mad as the plot doesn't matter (it's all about the crashes and bashes, basically), but we will call out Spoiler Territory for Madhouse. If you want to skip ahead from that point, you can rejoin the conversation at the 1:12:33 mark to avoid spoilers.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Mike White from The Projection Booth podcast stops by to venture across the boundaries of normality, into the weird, the disturbing, the monstrous and the sometimes hilarious. We check out Border (2018), directed by Ali Abbasi, and The Rift (1990), directed by Juan Piquer Simon. A portrait of personal loneliness and dispossession both sensitive and shocking, followed by a ramshackle underwater adventure by our favourite Spanish lunatic.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Border by skipping ahead to the 1:13:27 mark, and for The Rift by skipping ahead to 2:12:15.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Our closing music this week comes courtesy of Seven Ascended Masters and their track "Oligarching" (T. Morton) © 2025. Find more from their back catalogue on SoundCloud

Jerry McGlothlin joins us once again to discuss Bad Lieutenant (1992) directed by Abel Ferrara and Bad Lieutenant: Port of Call - New Orleans (2009), directed by Werner Herzog.

Two very different takes on utter corruption and the possibility (or not) of redemption, from two very different, but both visionary film-makers. A double feature for the ages with two towering central performances triggers one of our most enjoyable discussions so far - from the sublime to the ridiculous and back again.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Bad Lieutenant by skipping ahead to the 1:09:48 mark, and for Bad Lieutenant: Port of Call - New Orleans by skipping ahead to 1:52:38.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Which one of you two looks most like a football movie? This week, we welcome Ali back to the show to discuss a couple of sports-related flicks: The Last Boy Scout (1991) directed by Tony Scott and The Last Match (1990), directed by Fabrizio de Angelis. Get ready for some pop psychoanalysis of Shane Black, a close examination of the early 90's Bruce Willis screen persona, and just how weird it got for aging Hollywood stars in the dregs of Italian exploitation fare around the same time.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for The Last Boy Scout by skipping ahead to the 1:09:36 mark, and for The Last Match by skipping ahead to 1:51:59.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

The Middle Ages were a terrible time to be alive. Dr Ethan Lyon joins us in the torture chamber as we dress up in couch upholstery and torment some sinners while discussing The Conspiracy of Torture (1969), directed by Lucio Fulci, and then Torture Dungeon (1970), directed by Andy Milligan. Yep, time to get medieval on your ass!!!

It's not really possible to spoil Torture Dungeon as it barely has a plot at all, but we will call out Spoiler Territory for The Conspiracy of Torture. If you want to skip ahead from that point, you can rejoin the conversation at the 1:06:27 mark to avoid spoilers.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM.

Check out HKM on #SoundCloud or Bandcamp

From the sublime to the ridiculous, noir comes in many forms. Nick Langdon joins us this week to discuss Back to the Wall (1958), directed by Édouard Molinaro and In the Cold of the Night (1990), directed by Nico Mastorakis.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for Back to the Wall by skipping ahead to the 1:03:36 mark, and for In the Cold of the Night by skipping ahead to 1:46:08.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Happy New Year, folks! The party's heating up at our place: Lucio Fulci has been hitting the rum punch, Eric Roberts is singing and dancing, and Klaus Kinski is tripping balls (at least we think that's what's happening - it's getting a little scary, tbh). So we figured we'd duck out of the festivities long enough to count down our Top 5 first-time watches of 2024 for you. Just a quick episode before we head back and launch into Auld Lang Syne.

See you later this week for the first episode of Season 2!!!

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp

Tales of greed in a near-dystopian world. Sounds kinda familiar? This week, we welcome Max back to the show to discuss a couple of low-key gems: New Rose Hotel (1998) directed by Abel Ferrara and The Hidden (1987), directed by Jack Sholder.

We will be announcing a Spoiler Territory section for both films, so if you haven't seen them before you listen, you can nevertheless avoid spoilers for New Rose Hotel by skipping ahead to the 1:15:17 mark, and for The Hidden by skipping ahead to 1:54:51.

Want to get in touch? You can reach us on [email protected]

Theme music: "The Cold Light of Day" by HKM. Check out HKM on #SoundCloud or Bandcamp