The idea of photography that depends on the exact moment of exposure for success didn’t originate with Cartier-Bresson, but he certainly made the most of that perfect instant. Bresson’s idea of “the decisive moment” is examined this week, along with the idea of how photographers always have to grapple with the intersection between idea and … <a href="http://www.cameraposition.com/archives/31" class="more-link">Continue reading <span class="screen-reader-text">Camera Position 17 : The Instant and the Machine</span> <span class="meta-nav">→</span></a>

The idea of photography that depends on the exact moment of exposure for success didn’t originate with Cartier-Bresson, but he certainly made the most of that perfect instant. Bresson’s idea of “the decisive moment” is examined this week, along with the idea of how photographers always have to grapple with the intersection between idea and … Continue reading Camera Position 17 : The Instant and the Machine →

The idea of photography that depends on the exact moment of exposure for success didn’t originate with Cartier-Bresson, but he certainly made the most of that perfect instant. Bresson’s idea of “the decisive moment” is examined this week, along with the idea of how photographers always have to grapple with the intersection between idea and … <a href="http://www.cameraposition.com/archives/31" rel="noopener noreferrer">Continue reading Camera Position 17 : The Instant and the Machine →</a>

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Camera Position 17 : The Instant and the Machine

Camera Position 17 : The Instant and the Machine