In this Book Blueprint episode, I welcome Bob Martin, a former mob lawyer turned mindfulness teacher and author. Bob shares his origin story of becoming a mob lawyer after hitting the Gambino family's southern branch with a 72-million-dollar racketeering case while working for Janet Reno in Miami.

Johnny from the Gambino family walked into his office and offered to send clients since Bob beat their lawyers, teaching him that integrity means doing what you say or saying you won't. Their arrangement worked for years until Johnny's son faced serious charges and Bob refused illegal actions, prompting him to move to North Carolina, where they parted as friends.

Bob's publishing history includes a self-published first novel where consultants took advantage of him, then two books accepted by the hybrid publisher Innovative Inc. Now querying agents for his historical fiction, he asks whether mentioning hybrid publishing hurts his chances.

Bob's first question addresses a developmental challenge in his sweeping historical drama covering 140 years and three continents about a Hungarian man born in 1898 who came to America pursuing the American dream through popcorn businesses. The antagonist is his grandmother, Julia, who does terrible things because her traumatic past hardened her heart after being married off at 15, having a bastard child, and later projecting shame onto her daughter's illegitimate son.

Beta readers nearly put the book down when Bob broke from Martin's engaging story to jump to 1960s New Jersey for Julia's entire backstory, creating too big a consciousness break.

I recommend weaving small pieces of grandmother's backstory throughout Martin's story rather than one large dump, or putting her backstory in a three to four-page prologue. I reference All the Water in the World as an example and suggest the Fiction Writers Toolkit podcast and YouTuber Alyssa Matesic for fiction writing guidance.

Finally, Bob received an offer from a Hong Kong publisher for his East-West religious book including an advance, asking if he could mention this to agents already queried for the historical fiction. I recommend having a literary lawyer review the contract.

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