Adam and Zands dive into Herk Harvey's soul feature effort, an existential black and white ghost train about a church organist, haunted by a near-death experience, obsessed by a lonely, derelict carnival pavilion. They discuss the film's themes of loneliness, isolation, trauma and conformity, as well as its ambiguous ending and possible neurodivergent interpretations. Plus, Adam shares an odd tale from his own voyages through the American West. 

CW for gaslighting.

Zands' Rating: 5/5

Adam's Rating: 5/5