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'Familiarity risks blinding the writer to what is special. I want to recognise the habitual, but not be numbed by it.'
I want to recognise the habitual, but not be numbed by it; to retain both first and lasting impressions of a place. It demands both sufficient experience to write with authority and distance to write with liberty, without misrepresentation or betrayal.
By Royal Literary Fund'Familiarity risks blinding the writer to what is special. I want to recognise the habitual, but not be numbed by it.'
I want to recognise the habitual, but not be numbed by it; to retain both first and lasting impressions of a place. It demands both sufficient experience to write with authority and distance to write with liberty, without misrepresentation or betrayal.