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We have a special guest on this week’s episode: the melodious voice, the producer with the mostest, it’s Producer Daph! Who writes the copy for all our episodes! And feels very weird about referring to herself in the third person!
Paul, Jill, and Daph are each other’s dates to the prom in this look at 1988’s Carrie! This doomed dance was directed by Terry Hands with music by the aptly named Michael Gore, featuring Barbara Cook and Linzi Hateley as mother and daughter White.
Huddled at a table feeling self-conscious in our outfits, Paul, Jill, and Daph get to talking: is Barbara Cook’s noggin okay? What does a million-dollar sound design sound like? And telekinetic dresses: cool or lame?
Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills
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We have a special guest on this week’s episode: the melodious voice, the producer with the mostest, it’s Producer Daph! Who writes the copy for all our episodes! And feels very weird about referring to herself in the third person!
Paul, Jill, and Daph are each other’s dates to the prom in this look at 1988’s Carrie! This doomed dance was directed by Terry Hands with music by the aptly named Michael Gore, featuring Barbara Cook and Linzi Hateley as mother and daughter White.
Huddled at a table feeling self-conscious in our outfits, Paul, Jill, and Daph get to talking: is Barbara Cook’s noggin okay? What does a million-dollar sound design sound like? And telekinetic dresses: cool or lame?
Twitter: @monkeyplaybills
Instagram: @monkeysandplaybillspod
Email: [email protected]
Patreon: patreon.com/monkeysandplaybills
Ko-Fi: https://ko-fi.com/monkeysandplaybills