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Australian Women Artists
The podcast
Ep 64 Celia Gullett
Celia Gullett has developed a beautiful distinctive practice over several decades. Her abstract works explore colour, light and surface with what’s been described as, ‘remarkable sensitivity’.
Her career has unfolded gradually, shaped by long periods of study, reflection and... life.
A major turning point in Celia’s artistic development came in the mid to late 1990s when she began studying at the Charlie Sheard Studio School in Sydney. And we’ll talk about the importance of that to her remarkable journey.
Her work gained recognition through art prizes and exhibitions. She became a repeat finalist in both the Mosman Art Prize and the Paddington Art Prize and just last year won the Allan Gamble Award at the Mosman Art Prize.
Celia spoke about growing up in the country and that even as a young girl, she was acutely aware of sensory moments and being observant (a necessary skill in the country!).
We also talked about her art school experiences and what it did and didn’t provide. Which led to her needing to get out in the world to develop her language. It was really interesting talking about her seminal experience at the Charlie Sheard Studio School. His mantra that stuck with her...It’s not what you paint, it’s how you paint it.
Of course, we discussed the fabulous influences on her personally and artistically from her time in Florence and Rajasthan. But always – colour, light and surface...and the importance of treading your own path.
We had our conversation in Celia’s fabulous Sydney studio.
Celia (@celia.gullett) is represented by Jan Murphy Gallery, Brisbane (@janmurphygallery) and Sophie Gannon Gallery, Melbourne (@sophiegannongallery)
Image of CG supplied by artist. Photographer: @markrogers_photo
More images to follow in subsequent post
By Richard GrahamAustralian Women Artists
The podcast
Ep 64 Celia Gullett
Celia Gullett has developed a beautiful distinctive practice over several decades. Her abstract works explore colour, light and surface with what’s been described as, ‘remarkable sensitivity’.
Her career has unfolded gradually, shaped by long periods of study, reflection and... life.
A major turning point in Celia’s artistic development came in the mid to late 1990s when she began studying at the Charlie Sheard Studio School in Sydney. And we’ll talk about the importance of that to her remarkable journey.
Her work gained recognition through art prizes and exhibitions. She became a repeat finalist in both the Mosman Art Prize and the Paddington Art Prize and just last year won the Allan Gamble Award at the Mosman Art Prize.
Celia spoke about growing up in the country and that even as a young girl, she was acutely aware of sensory moments and being observant (a necessary skill in the country!).
We also talked about her art school experiences and what it did and didn’t provide. Which led to her needing to get out in the world to develop her language. It was really interesting talking about her seminal experience at the Charlie Sheard Studio School. His mantra that stuck with her...It’s not what you paint, it’s how you paint it.
Of course, we discussed the fabulous influences on her personally and artistically from her time in Florence and Rajasthan. But always – colour, light and surface...and the importance of treading your own path.
We had our conversation in Celia’s fabulous Sydney studio.
Celia (@celia.gullett) is represented by Jan Murphy Gallery, Brisbane (@janmurphygallery) and Sophie Gannon Gallery, Melbourne (@sophiegannongallery)
Image of CG supplied by artist. Photographer: @markrogers_photo
More images to follow in subsequent post