This week we are going to be discussing goth music, but more interestingly those sites of liminality and ambiguity where what we’ve come to know as goth music collides and makes love to pop and indie music. What effect has that had on culture and clubs both historically and today, and what does this mean for the future of the genre?

In recent years we've seen an explosion of hard to classify acts that skirt the edge of goth culture and sound, bands such as chelsea wolfe, king dude, zola jesus, them are us too, cult of youth, Savages, Austra and so on. Do these bands mirror the sort of early 80’s melting pot of goth, synthpop, glam rock, new wave, deathrock etc, Are we just seeing Indie bands taking on a darker yolk, or are we seeing some new form of “art goth”, or perhaps an eschewing of genre classifications in general?

Our guest this month was Joshua, please check out his music project Gevatter Tod!

Further Reading:
-Gothic Music and the Inevitability of Genre
-Gothic Music: The Sounds of the Uncanny
-25 years in the Reptile House