TAWID SA HARBOUR IS BACK (with a thirst trap poster)! Season 2 is here!
 
Season 2 is about CENTERING. I am collecting my scattered energies by rooting myself with the people who have been doing great work. I am highlighting my former thesis advisees’ and students’ theses and creative works. I have also invited my closest friends to talk about their recent creative works and research on healing, visual arts, pageants, spoken word, etc.
 
ABANGAN!

TAWID SA HARBOUR IS BACK (with a thirst trap poster)! Season 2 is here! Season 2 is about CENTERING. I am collecting my scattered energies by rooting myself with the people who have been doing great work. I am highlighting my former thesis advisees’ and students’ theses and creative works. I have also invited my closest friends to talk about their recent creative works and research on healing, visual arts, pageants, spoken word, etc. ABANGAN!

Centering

TAWID SA HARBOUR feels like sitting in class with that teacher who can’t help turning every idea into a performance and every tangent into a doorway. Episodes flow with the same playful energy—part theatre geek-out, part gentle provocation, part "what does performance do?" I muse about bodies, stages, screens, and all the quirky little moments that make performance feel uncertain, chaotic, and alive—like a rehearsal when everyone’s overtired but inspired. The harbour becomes our shared studio, where we learn, laugh, spiral, and rethink about performance.

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Centering

Centering