By Michael Lueger, Chantal Bilodeau. Playwright Chantal Bilodeau joins us to discuss her essay "Why I'm Breaking Up with Aristotle," and how we need to explore new forms of storytelling in order to create theatre that engages with iss

Chantal Bilodeau on “Breaking Up with Aristotle” and Finding New Ways to Tell Stories Onstage

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We are no longer adding new episodes here! Subscribe to Building Our Own Tables to get new episodes on Wednesdays, and catch up on past seasons of Critical Stages in Malawian Contemporary Theatre, Kunafa and Shay, and Performative Unity in the Hungarian Arts by searching for the titles. Thanks for listening!

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In this episode, Jordan Ealey and Leticia Ridley look at the life and legacy of playwright Robbie McCauley, who recently passed away. They discuss her work as a pioneer of solo performance as a Black woman and how she impacted the world of Black feminist theatre.

Daughters of Lorraine Season 3 Episode 10: I Write What Comes Up in My Body: Robbie McCauley's Theatre

In this episode, Jordan Ealey and Leticia Ridley interview artist/scholar Lisa B. Thompson. In their conversation with Lisa, they discuss navigating life as a Black feminist artist/scholar, putting some respect on Black theatre, and why Black theatre is an integral part of Black Studies.

Daughters of Lorraine Season 3 Episode 9: Put Some Respect on Black Theatre with Lisa B. Thompson

Jordan Ealey and Leticia Ridley of Daughters of Lorraine, a black feminist theatre podcast, interview award-winning and acclaimed playwright Dominique Morisseau on her recent Broadway productions of Ain’t Too Proud and Skeleton Crew, the future of Detroit theatre and performance, and reckoning with American history. Ealey and Ridley discuss Morisseau’s own practice of reparative creativity and the ability for theatre to serve as a rehearsal for true change.

Daughters of Lorraine Season 3 Episode 8: Dominique Morisseau’s Practice of the Possible

This episode is inspired by recent and current events regarding Roe v. Wade and their potential impact on birthing people. We think about the representation of reproductive justice (things such as abortion, contraception, and anything regarding decisions to birth or plan a family) especially from Black women playwrights. We discuss plays such as They That Sit in Darkness by Mary Burrill, Rachel by Angelina Weld Grimke, Come Down Burning by Kia Corthron, In the Blood by Suzan-Lori Parks, and Abortion Road Trip by Rachel Lynett. 

Chantal Bilodeau on “Breaking Up with Aristotle” and Finding New Ways to Tell Stories Onstage

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