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This chapter describes the ink drawing shroud (buntis na erotica) 1, made in 2021 and measuring 33 x 25 cm. long. It is a minute and a half long.
Two female figures dance together, each draped in a delicate, transparent cloth, or shroud. Their bodies mirror each other: the back of one hand is posed on one hip and the other hand is raised in the hair, bringing the shroud up along with it. They each step one foot towards each other, bringing them closer, almost intimately, together. Though the different elements of their bodies: breasts, swollen bellies and arms, are visible, their faces remain completely obscured by the shroud and by the splotches of ink that dot their whole bodies. The use of the veil teases us by hiding and revealing the dancers’ bodies, perhaps apt as the title of the artwork “buntis na erotica” means “pregnant erotica” in Tagalog. With no background, the attention is focused wholly on these women’s gestures and powerful bodies.
Go to the next chapter to hear Santos talk about her artwork.
This chapter describes the ink drawing shroud (buntis na erotica) 1, made in 2021 and measuring 33 x 25 cm. long. It is a minute and a half long.
Two female figures dance together, each draped in a delicate, transparent cloth, or shroud. Their bodies mirror each other: the back of one hand is posed on one hip and the other hand is raised in the hair, bringing the shroud up along with it. They each step one foot towards each other, bringing them closer, almost intimately, together. Though the different elements of their bodies: breasts, swollen bellies and arms, are visible, their faces remain completely obscured by the shroud and by the splotches of ink that dot their whole bodies. The use of the veil teases us by hiding and revealing the dancers’ bodies, perhaps apt as the title of the artwork “buntis na erotica” means “pregnant erotica” in Tagalog. With no background, the attention is focused wholly on these women’s gestures and powerful bodies.
Go to the next chapter to hear Santos talk about her artwork.