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Peter reads a memory of the college love he nearly married, set to Facades by Philip Glass. And then we chat: about the power of the dead over the living; how slavery enriched both David Cameron and JP Morgan; and the human glory of the New York City marathon. Primo conversation with a cameo by horse thieves.
By Dana Vachon and Peter Foges5
55 ratings
Peter reads a memory of the college love he nearly married, set to Facades by Philip Glass. And then we chat: about the power of the dead over the living; how slavery enriched both David Cameron and JP Morgan; and the human glory of the New York City marathon. Primo conversation with a cameo by horse thieves.