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Cinematographer Marcus Patterson on Days of Heaven
“Nobody's perfect. There was never a perfect person around. You just have half-angel and half-devil in you.”
Cinematographer Marcus Patterson joins Movies We Like hosts Andy Nelson and Pete Wright to discuss Terrence Malick's 1978 masterpiece Days of Heaven. Drawing from his own experience shooting the anthology film Sunfish (& Other Stories on Green Lake), Patterson explores how Malick and cinematographers Néstor Almendros and Haskell Wexler crafted one of cinema's most visually stunning achievements through their innovative use of natural light and magic hour photography.
Patterson's journey to cinematography wasn't direct – he tried acting, writing, and editing before discovering his passion behind the camera. Starting with short films in Alabama, he developed his craft through countless projects before moving to Los Angeles. His work on Sunfish demonstrates his ability to capture intimate human moments while maintaining a painterly approach to composition and lighting, particularly in natural settings.The conversation explores how Days of Heaven revolutionized the use of natural light in cinema, with Patterson offering technical insights about how Almendros and Wexler achieved their remarkable images. Through Linda Manz's narration, the film presents its tragic love triangle from a child's perspective, creating emotional distance that heightens rather than diminishes its impact. Patterson connects these techniques to his own work on Sunfish, particularly in capturing the languid atmosphere of lake life and the delicate interplay of light and water.
In both films, we see how careful attention to natural light and composition can elevate storytelling beyond mere narrative into the realm of visual poetry. Patterson's deep appreciation for Days of Heaven and its influence on his own work reveals how cinema's visual language continues to evolve while remaining rooted in these foundational techniques of capturing light and life on film.
🎬 Watch & Discover
Cinematographer Marcus Patterson joins Movies We Like hosts Andy Nelson and Pete Wright to discuss Terrence Malick's 1978 masterpiece Days of Heaven. Drawing from his own experience shooting the anthology film Sunfish (& Other Stories on Green Lake), Patterson explores how Malick and cinematographers Néstor Almendros and Haskell Wexler crafted one of cinema's most visually stunning achievements through their innovative use of natural light and magic hour photography.
Patterson's journey to cinematography wasn't direct – he tried acting, writing, and editing before discovering his passion behind the camera. Starting with short films in Alabama, he developed his craft through countless projects before moving to Los Angeles. His work on Sunfish demonstrates his ability to capture intimate human moments while maintaining a painterly approach to composition and lighting, particularly in natural settings.The conversation explores how Days of Heaven revolutionized the use of natural light in cinema, with Patterson offering technical insights about how Almendros and Wexler achieved their remarkable images. Through Linda Manz's narration, the film presents its tragic love triangle from a child's perspective, creating emotional distance that heightens rather than diminishes its impact. Patterson connects these techniques to his own work on Sunfish, particularly in capturing the languid atmosphere of lake life and the delicate interplay of light and water.
In both films, we see how careful attention to natural light and composition can elevate storytelling beyond mere narrative into the realm of visual poetry. Patterson's deep appreciation for Days of Heaven and its influence on his own work reveals how cinema's visual language continues to evolve while remaining rooted in these foundational techniques of capturing light and life on film.
🎬 Watch & Discover
- 📺 Watch our Raw Conversation on YouTube
- 👤 Meet Marcus Patterson: IMDb | Website | Instagram | Letterboxd
- 🍿 Watch Sunfish: Screenings | Apple TV | Letterboxd
- 🍿 Watch Days of Heaven: Apple TV | Amazon | Letterboxd
- 📽️ Original Theatrical Trailer
- Become a member for just $5/month or $55/year
- Join our Discord community of movie lovers
- Cinema Scope: Bridging Genres, Subgenres, and Movements
- The Film Board
- Movies We Like
- The Next Reel Film Podcast
- Sitting in the Dark
- Main Site: Web
- Movie Platforms: Letterboxd | Flickchart
- Social Media: Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest
- Your Hosts: Andy | Pete
- Merch Store: Apparel, stickers, mugs & more
- Watch Page: Buy/rent films we've discussed
- Originals: Source material from our episodes
- Special offers: Letterboxd Pro/Patron discount | Audible
View all episodes
By TruStory FM
5
22 ratings
“Nobody's perfect. There was never a perfect person around. You just have half-angel and half-devil in you.”
Cinematographer Marcus Patterson joins Movies We Like hosts Andy Nelson and Pete Wright to discuss Terrence Malick's 1978 masterpiece Days of Heaven. Drawing from his own experience shooting the anthology film Sunfish (& Other Stories on Green Lake), Patterson explores how Malick and cinematographers Néstor Almendros and Haskell Wexler crafted one of cinema's most visually stunning achievements through their innovative use of natural light and magic hour photography.
Patterson's journey to cinematography wasn't direct – he tried acting, writing, and editing before discovering his passion behind the camera. Starting with short films in Alabama, he developed his craft through countless projects before moving to Los Angeles. His work on Sunfish demonstrates his ability to capture intimate human moments while maintaining a painterly approach to composition and lighting, particularly in natural settings.The conversation explores how Days of Heaven revolutionized the use of natural light in cinema, with Patterson offering technical insights about how Almendros and Wexler achieved their remarkable images. Through Linda Manz's narration, the film presents its tragic love triangle from a child's perspective, creating emotional distance that heightens rather than diminishes its impact. Patterson connects these techniques to his own work on Sunfish, particularly in capturing the languid atmosphere of lake life and the delicate interplay of light and water.
In both films, we see how careful attention to natural light and composition can elevate storytelling beyond mere narrative into the realm of visual poetry. Patterson's deep appreciation for Days of Heaven and its influence on his own work reveals how cinema's visual language continues to evolve while remaining rooted in these foundational techniques of capturing light and life on film.
🎬 Watch & Discover
Cinematographer Marcus Patterson joins Movies We Like hosts Andy Nelson and Pete Wright to discuss Terrence Malick's 1978 masterpiece Days of Heaven. Drawing from his own experience shooting the anthology film Sunfish (& Other Stories on Green Lake), Patterson explores how Malick and cinematographers Néstor Almendros and Haskell Wexler crafted one of cinema's most visually stunning achievements through their innovative use of natural light and magic hour photography.
Patterson's journey to cinematography wasn't direct – he tried acting, writing, and editing before discovering his passion behind the camera. Starting with short films in Alabama, he developed his craft through countless projects before moving to Los Angeles. His work on Sunfish demonstrates his ability to capture intimate human moments while maintaining a painterly approach to composition and lighting, particularly in natural settings.The conversation explores how Days of Heaven revolutionized the use of natural light in cinema, with Patterson offering technical insights about how Almendros and Wexler achieved their remarkable images. Through Linda Manz's narration, the film presents its tragic love triangle from a child's perspective, creating emotional distance that heightens rather than diminishes its impact. Patterson connects these techniques to his own work on Sunfish, particularly in capturing the languid atmosphere of lake life and the delicate interplay of light and water.
In both films, we see how careful attention to natural light and composition can elevate storytelling beyond mere narrative into the realm of visual poetry. Patterson's deep appreciation for Days of Heaven and its influence on his own work reveals how cinema's visual language continues to evolve while remaining rooted in these foundational techniques of capturing light and life on film.
🎬 Watch & Discover
- 📺 Watch our Raw Conversation on YouTube
- 👤 Meet Marcus Patterson: IMDb | Website | Instagram | Letterboxd
- 🍿 Watch Sunfish: Screenings | Apple TV | Letterboxd
- 🍿 Watch Days of Heaven: Apple TV | Amazon | Letterboxd
- 📽️ Original Theatrical Trailer
- Become a member for just $5/month or $55/year
- Join our Discord community of movie lovers
- Cinema Scope: Bridging Genres, Subgenres, and Movements
- The Film Board
- Movies We Like
- The Next Reel Film Podcast
- Sitting in the Dark
- Main Site: Web
- Movie Platforms: Letterboxd | Flickchart
- Social Media: Facebook | Instagram | Threads | Bluesky | YouTube | Pinterest
- Your Hosts: Andy | Pete
- Merch Store: Apparel, stickers, mugs & more
- Watch Page: Buy/rent films we've discussed
- Originals: Source material from our episodes
- Special offers: Letterboxd Pro/Patron discount | Audible