Media depicting the Civil War has become the basis for the sad, trad wives of cottagecore, debutantes, and a lot more in contemporary American femininity trends. Bethany and Mary get in deep to a film syllabus of remakes, appropriations, and retellings including:<ul><li>Gone with the Wind (1939)</li><li>Little Women (1994 and 2019)</li><li>The Beguiled (1971 and 2017)<ul><li><a href="https://www.vulture.com/2017/07/the-beguiled-subtly-tackles-race-even-when-you-dont-see-it.html" rel="noopener noreferrer nofollow">Angelica Jade Bastien on Sofia Coppola’s The Beguiled</a></li></ul></li><li>Cold Mountain (2003)</li></ul>

Media depicting the Civil War has become the basis for the sad, trad wives of cottagecore, debutantes, and a lot more in contemporary American femininity trends. Bethany and Mary get in deep to a film syllabus of remakes, appropriations, and retellings including:Gone with the Wind (1939)Little Women (1994 and 2019)The Beguiled (1971 and 2017)Angelica Jade Bastien on Sofia Coppola’s The BeguiledCold Mountain (2003)

Media depicting the Civil War has become the basis for the sad, trad wives of cottagecore, debutantes, and a lot more in contemporary American femininity trends. Bethany and Mary get in deep to a film syllabus of remakes, appropriations, and retellings including:<ul><li>Gone with the Wind (1939)</li><li>Little Women (1994 and 2019)</li><li>The Beguiled (1971 and 2017)<ul><li><a href="https://www.vulture.com/2017/07/the-beguiled-subtly-tackles-race-even-when-you-dont-see-it.html" rel="noopener noreferrer">Angelica Jade Bastien on Sofia Coppola’s The Beguiled</a></li></ul></li><li>Cold Mountain (2003)</li></ul>

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Civil War-Core

Civil War-Core