Healing through improvised harp and open heart
Clare Cooper is the one of the subcultural world’s innovation pin-ups. She plays the harp and guzheng, sometimes she tap-dances. She’s passionate about the sociability of improvisation and it’s capacity to encourage compassion and radical acts of trust. This performance was recorded on the 19th of April 2018 at the Tote, Melbourne.
https://liquidarchitecture.org.au/events/brotzmann-leigh
Ritual Community Music
29 April 2018
The Tote, Collingwood
Presented by Liquid Architecture, the Goethe-Institut, and the Audio Foundation, NZ
Image: Tania Kelley
Financial support from patrons at any level has a resounding impact on our work. You can support Liquid Architecture’s weekly podcast and our online journal Disclaimer, for new thinking and writing on listening and sound through a Patreon subscription, for as little as $5 a month.
https://www.patreon.com/liquidarchitecture
For the past 20 years, Liquid Architecture has been Australia’s leading organisation for artists working with sound and listening. LA investigates the sounds themselves, but also the ideas communicated about, and the meaning of, sound and listening.