4D Music – ExperiMental Music

Cloud Seeding


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Cloud-Seeding.mp3
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Cloud-Seeding-intro.mp3

[Intro]

Cloud seeding…?
(… it’s the humans feeding)

[Verse 1]

Pumping out the gases
(More, more, more)
Turning out fascists
(More than before)

[Bridge]

Instead of conceding
(Just keep on breeding)

[Chorus]

Cloud seeding…?
(… it’s the humans feeding)
Who are we kidding
(We did our own bidding)

[Verse 2]

Pushing out pollution
(Oh, more, more, more)
Got no solution
(No more than before)

[Bridge]

Instead of conceding
(Just keep on breeding)

[Chorus]

Cloud seeding…?
(… it’s the humans feeding)
Who are we kidding
(We did our own bidding)

[Bridge]

[Chorus]

[Outro]

Our reduction
(Due to mass consumption)
Instead of conceding
(Just keep on breeding)
Way more than we need
(… to feed)
Hearts bleed

ABOUT THE SONG

This song is a sharp, satirical take on climate change denial and humanity’s tendency to externalize blame — especially through conspiracy theories like chemtrails, geoengineering, and cloud seeding. On the surface, it plays with the language of those conspiracies, but underneath, it’s clearly about human self-deception and collective irresponsibility.

Interpretation:

  • Verse 1 (“Pumping out the gases / Turning out fascists”) — links industrial pollution and political extremism as twin symptoms of denial and overconsumption. “Pumping out the gases” references literal emissions, while “turning out fascists” points to the reactionary ideologies that emerge when people resist accountability for the crisis.

  • Bridge (“Instead of conceding / Just keep on breeding”) — exposes society’s refusal to change, mocking the idea that human population and endless consumption are somehow compatible with sustainability.

  • Chorus (“Cloud seeding…? / … it’s the humans feeding”) — flips the conspiracy on its head. Rather than governments secretly manipulating the weather, we are the ones “seeding the clouds” with our pollution, greed, and ignorance. The phrase “Who are we kidding / We did our own bidding” drives home that the damage isn’t from hidden forces — it’s self-inflicted.

  • Verse 2 (“Pushing out pollution / Got no solution”) — continues the theme of inertia. The repetition of “more, more, more” mocks our insatiable demand for growth even as it kills us.

  • Outro (“Our reduction / Due to mass consumption”) — provides a grim epilogue: humanity’s downfall (“reduction”) is directly tied to its compulsive overconsumption. The line “Hearts bleed” suggests both literal suffering and moral decay.

    Overall message:
    The song dismantles the myths of geoengineering conspiracies by turning them inward — it’s not elites secretly changing the weather; it’s everyone doing it through fossil fuel addiction, mass consumption, and denial. “Cloud seeding” becomes a metaphor for human folly: we’re poisoning our own atmosphere while convincing ourselves that someone else is to blame.

    From the album “Reap

    * Our probabilistic, ensemble-based climate model — which incorporates complex socio-economic and ecological feedback loops within a dynamic, nonlinear system — projects that global temperatures are becoming unsustainable this century. This far exceeds earlier estimates of a 4°C rise over the next thousand years, highlighting a dramatic acceleration in global warming. We are now entering a phase of compound, cascading collapse, where climate, ecological, and societal systems destabilize through interlinked, self-reinforcing feedback loops.

     

    Tipping points and feedback loops drive the acceleration of climate change. When one tipping point is toppled and triggers others, the cascading collapse is known as the Domino Effect.
    The Human Induced Climate Change Experiment

     

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