Paul has scored a bevy of fantastic projects including Limitless, the hit show MI-5 (Spooks) and now the sci-fi action extravaganza Dredd. We talk about his approach for the score and how he wanted to do a different kind of blockbuster. He makes his case for his electronic-heavy sound and what he wanted to do to escape the traditional sound Hollywood usually goes after in action movies. We also chat about how his music had to compete with sound effects in the final mix and if action score should work precisely with the heavy editing or sort of flow underneath. Paul is always great fun to chat with and it was an honor to have him back on F.M.M. Enjoy!

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