En este Episodio 7 de la serie 6 del Comusik podcast compartimos el trabajo creativo Con la utilización de instrumentos nativos de la región andina tanto en grabaciones de campo como pregrabados, y la exploración a través de la electrónica, la manipulación de audio, sintetizadores hechos manualmente DIY y algorítmos, presentamos este nuevo programa de Comusik.

Contenido para el programa de radio Archipel community radio y Comusik podcast:

I. Caverna - Bertha Elena Artero Ponce

II. Los poderes del agua: Lluvia Bustos Soria

III. Textil - Awana - Bertha Elena Artero Ponce

IV. Túneles: Bertha Elena Artero Ponce

V. Un día aquel - Lluvia Bustos Soria

VI. La tristeza y el cansancio - Bertha Elena Artero Ponce

VII. Karu - Bertha Elena Artero Ponce

VIII. Vinivoice - Bertha Elena Artero Ponce

REFERENCIAS:

comusik - videos - youtube

En este Episodio 6 de la serie 6 del Comusik podcast compartimos el trabajo creativo que hemos estado haciendo alrededor de la reflexión sobre el agua y sus recorridos, además de su esencia no solo vital para sostener la vida, sino también su potencial sonoro - creativo a través de recursos tecnológicos que van desde las grabaciones de campo, hasta las modificaciones con nuevos lenguajes y recursos tecnológicos como ser el entrenamiento de audios con el algoritmo RAVE de la IRCAM usando el NOTEBOOK de Moisés Horta Valenzuela alias Hexorcismos.

https://gather-berlin.de/

In these episode 4 of season 7 of the comusik Podcast, we present the results of the collaboration with the collective musica inaudita, in which the music of women composers from five Latin American countries (Argentina, Bolivia, Chile, Colombia, Mexico), was premiered with the support of the UdK (University of Arts - Berlin).

Content of the radio program and podcast:

I. Presentation of Ana Mora and her piece Evocation.

Sandra Kiesel: Piano

II. Presentation of Crishea Koyck and her piece Chucao.

Hongquin Wo: Guitar

III. Interview: Bertha Elena Artero Ponce and Marlene Feger

IV. La piedad del Ciprés by Bertha Elena Artero Ponce.

Soprano: Rahel Kramer

Piano: Lotta-Sophie Harder

Poem: Alfonsina Storni

V. Presentation of Ana Maria Romano G. and her piece Qué pasaría si.../ What would happen if...

VI. Explanation of the score by Ana Maria Romano G. from director of Ensamble Sarotti Instant Matthias Schwabe and interpretation of the piece.

Ensamble Sarotti Instant

VII. Presentation of Eva García Fernández and her piece A lado del canto (Parodia).

Baritone Saxophones: Tina Tepper, Ellie Sooss

Tenor Saxophone: Marie Schwebe

VIII. Closing the program

Credits:

Recording: Lukas Kleitsch

Organization: musica inaudita team in coordination with Comusik

Places: Georg-Neumann-Saal des Jazz Institut Berlin (08.01.2024) Joseph -Joachim - Saal (07.02.2024) (Bundesallee 1-12, 10719 Berlin)

This podcast has only parts of these two concerts with the permissions from the players and musica inaudita team - UdK.

UdK - musica inaudita - concerts

Photo credits:

Ana Maria Romano G.: Fede Kaplun

Verónica Mota is a distinguished philosophy scholar whose work spans academia, epistemological politics, electronic music, sound art, and performative text. She has published science fiction stories, live poetry, philosophical essays, and cultural analyses, alongside an extensive body of sound and music works that intertwine with feminism, cyborg and queer theory, and activism.

I. Presentation and background of creative work and its activism from different uses of technology.

II. Art for art's sake or art with content and message.

III. Background on Espectra negra.

IV. Explanation and context of the work “Utopie & Widerstand”.

V. Listening of the piece “Utopie & Widerstand” from the album NIHIL (2023) Camembert Électrique - France.

VI. Explanation of the piece “I shall sing until my land is free” based on a piece about the Palestinian struggle and resistance by the musician Muslimgauze - I Shall Sing Until My Land Is Free (2013).

VII. Audition of the work “I shall sing until my land is free” (2023).

VIII. Explanation of the work “Melodic Minstreals (All birds should be able to sing)”.

IX. Audition of the work “Melodic Minstreals (All birds should be able to sing)” (2023)

Photo credit: Viviana Zúñiga

In this episode 2 of comusik Podcast season 9, we present the autodidact sound artist, creative technologist and musician from Tijuana, Mexico, Moisés Horta Valenzuela aka hexorcismos who works in the fields of computer music, Artificial Intelligence and the history and politics of emerging digital technologies.

CONTENT EXTENDED VERSION:

I. Presentation and background of creative work with AI

II. Listening of "flor blanca" from the album transfiguration (2020)

III. Background on hexorcisms, decolonial posture and the role of cumbia.

IV. Audition of the work "mahtlactli-om-ome" from the album otachihual (2021)

V. More about the creative work in live performances with algorithms and generative artificial intelligence networks (artificial neural networks).

VI. Listening to the work "mareas interiores" from the album transfiguración (2020)

VII. About Semilla AI, the interface, the synthesizer and the researches in the artistic residencies

VIII. New album Mutualismx and about the future use of big data in the world.

IX. Audio visual of the album Transfigur - Hexorcisms

REFERENCES

Links:

http://semilla.ai

http://hexorcismos.bandcamp.com

https://moiseshorta.audio/

https://comusik.pro/serie-9-episodio-2-moises-horta-valenzuela-hexorcismos-s9-e2/

In this episode 2 of comusik Podcast season 9, we present the autodidact sound artist, creative technologist and musician from Tijuana, Mexico, Moisés Horta Valenzuela aka hexorcismos who works in the fields of computer music, Artificial Intelligence and the history and politics of emerging digital technologies.

Content of the radio program:

I. Presentation and background of creative work with AI

II. Listening to "flor blanca" from the album transfigur (2020).

III. Background on hexorcisms, decolonial posture and the role of cumbia.

IV. Audition of the work "mahtlactli-om-ome" from the album otachihual (2021)

V. More about the creative work in live performances with algorithms and generative artificial intelligence networks (artificial neural networks).

VI. Listening to the work "mareas interiores" from the album transfigur (2020)

VII. About Semilla AI, the interface, the synthesizer and the research in the artistic residencies

VIII. New album Mutualismx and the future of the use of big data in the world

REFERENCES

Links: http://semilla.ai

http://hexorcismos.bandcamp.com

https://moiseshorta.audio/

Photo Credit: Guxor

https://comusik.pro/serie-9-episodio-2-moises-horta-valenzuela-hexorcismos-s9-e2/

En este episodio 3 de la serie 8 del comusik Podcast,

Contenido del programa de radio:

I. Presentación

II. Explicación del festival SoXXI

III. Explicación del proyecto pedagógico

IV. Audición de Fragmento de 16’ de Inuksuit John Luther

V. Más sobre el festival

VI. Audición de Persephassa Iannis Xenakis

VII. Contexto del proyecto, proyecciones y colaboraciones

VIII. Cierre

REFERENCIAS

Festival Internacional SoXXI

Percussion Group SoXXI

INUKSUIT John Luther Adams

Persephassa - Iannis Xenakis

Retrato de Louis Aguirre (Teaser)

https://comusik.pro/podcast-serie-08/

https://comusik.pro/episodio-3-festival-soxxi-y-la-propuesta-pedagogica-en-clau-dart-joan-soriano-morales-y-alicia-arnau-aparicio-s8-e3/

En este episodio 3 de la serie 8 del comusik Podcast, presentamos a los directores del proyecto SoXXI Alicia Arnau-Aparicio y Joan Soriano Morales que nos hablarán del Festival Internacional y la propuesta pedagógica En Clau d´Art.

CONTENIDO VERSIÓN EXTENDIDA:

I. Presentación

II. Explicación del festival SoXXI

III. Explicación del proyecto pedagógico

IV. Audición de Fragmento de 16’ de Inuksuit John Luther Adams

V. Más sobre el festival

VI. Audición de Persephassa Iannis Xenakis

VII. Sobre las producciones y conciertos

VIII. Audición teaser Wemilere retrato de Louis Aguirre

IX. Otras consideraciones y contexto del proyecto

X. Proyecciones y colaboraciones

XI. Cierre

REFERENCIAS

Festival Internacional SoXXI

Percussion Group SoXXI

INUKSUIT John Luther Adams

Persephassa - Iannis Xenakis

Retrato de Louis Aguirre (Teaser)

https://comusik.pro/podcast-serie-08/

https://comusik.pro/episodio-3-festival-soxxi-y-la-propuesta-pedagogica-en-clau-dart-joan-soriano-morales-y-alicia-arnau-aparicio-s8-e3/

In this episode 1 of season 9 of the comusik Podcast, we present Mexican composer and musician Enrique Mendoza Mejia who will share with us his research and creative process through a new system called Hybrid Audio Diffusion Systems (HADS) as part of his artistic doctoral research at the private Anton Bruckner University in Linz, Austria. The use of headphones is strongly recommended to fully experience the binaural version of the pieces.

Content of the radio program:

I. Audition of "Inner outer self-variance and my deranged disembodied voices" (2023)

Work commissioned by The Black Page Orchestra and created with the support of BMKOES & SKE.

II. Presentation and background of the HADS system

III. Audition of "no enterramos muertos, sembramos semillas..." (2023)

Work commissioned by UNAM Música, Resiliencias Sonoras Program (2019).

IV. Audition of the work "maybe pain" (2021).

V. Audition of the work "Ground Beatings" (2016)

Work commissioned by Boglárka Nagy.

REFERENCES

https://enriquemendoza.net/

Photos Copyrights:

Center for Living Arts

PhotoCredit_Bogi_Nagy Credit_Bogi_Nagy_@bophotoadventures

PhotoCredit-EmmaLouise

https://comusik.pro/season-9-new-artistic-explorations-with-technologies-s9-playlist/?lang=en

Photos Copyrights:

Center for Living Arts

PhotoCredit_Bogi_Nagy

PhotoCredit-EmmaLouise

https://comusik.pro/season-9-new-artistic-explorations-with-technologies-s9-playlist/?lang=en

In this episode 1 of season 9 of the comusik Podcast, we

CONTENT EXTENDED VERSION:

I. Presentation

II. Background and explanation of the HADS system

III. Explanation and audition "Inner outer

Work commissioned by The Black Page Orchestra and created

IV. Creative process and working tools

V. Audition of "no enterramos muertos, sembramos

Work commissioned by UNAM Música, Programa Resiliencias

VII. Audition of the work "maybe pain" (2021)

VIII. Workflow

IX. Audition of the work "Ground Beatings"

Work commissioned by Boglárka Nagy. X. Closing

XI. Audition of "Transduktor III" (2017)

Work commissioned and created with the support of

REFERENCES⁠

https://enriquemendoza.net/

⁠Photos Copyrights:

Center for Living Arts PhotoCredit_Bogi_Nagy

PhotoCredit-EmmaLouise

https://comusik.pro/season-9-new-artistic-explorations-with-technologies-s9-playlist/?lang=en