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How does Artificial Intelligence affect art and cultural institutions? Richard Harwood KC of 39 Essex Chambers and Clarissa Levi of BHL Art Group talk to Emily Gould, Assistant Director of the Institute of Art and Law, to discuss the use of creative works for training generative AI; who owns rights to AI produced works; and the use of AI in art attribution. They try their hands at AI-produced art themselves, with slightly worrying results.
How does Artificial Intelligence affect art and cultural institutions? Richard Harwood KC of 39 Essex Chambers and Clarissa Levi of BHL Art Group talk to Emily Gould, Assistant Director of the Institute of Art and Law, to discuss the use of creative works for training generative AI; who owns rights to AI produced works; and the use of AI in art attribution. They try their hands at AI-produced art themselves, with slightly worrying results.
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