riginally from the Navajo Nation, Raven Chacon is a composer of chamber music, a performer of experimental noise music, and an installation artist. He performs regularly as a solo artist as well as with numerous ensembles in the Southwest and beyond. He is also a member of the Indigenous art collective Postcommodity, with who he recently premiered the 2-mile long land art/border intervention, Repellent Fence. Just one week after the election results in the United States, I had the honor to sit down with composer and artist Raven Chacon and talk about his practice. In this episode Raven speaks about the origins of his work and how he came to experience making sound. We hear about his involvement with Postcommodity, an interdisciplinary arts collective comprised of Raven Chacon, Cristóbal Martínez, and Kade L. Twist and we also hear about his work teaching youth through the Native American Composer Apprentice Project. Raven shares his varying experiences in creating chamber music and experimental noise and reflects on the ‘dues' that must be paid by artists along the way. He also addresses ideas around identity and the Indigenous artist, what the role of the artist is, and the opportunity the artist has to remain mysterious. Raven reminds us to think critically and to take time to seek the truth.