In this conversation, Tanya Tagaq offers an honest reflection to being an established recording artist today. She speaks about her relationship with her incredible band, her ideas surrounding being a mother and a touring artist, ways in which she practices self care and she shares her views on reconciliation and the important role that art plays in society. Tanya also speaks about her past collaborations and relationship with artist Laakkuluk Williamson-Bathory, who Tanya is the respondent artist for in the #callresponse project. Tanya Tagaq’s music isn’t like anything you’ve heard before. Unnerving and exquisite, Tagaq’s unique vocal expression may be rooted in Inuit throat singing but her music has as much to do with electronica, industrial and metal influences as it does with traditional culture. This Inuk punk is known for delivering fearsome, elemental performances that are visceral and physical, heaving and breathing and alive. Her shows draw incredulous response from worldwide audiences, and Tagaq’s tours tend to jump back and forth over the map of the world. From a Mexican EDM festival to Carnegie Hall, her music and performances transcend language. Tagaq makes musical friends and collaborators with an array of like-minded talents: opera singers, avant-garde violin composers, experimental DJs, all cutting edge and challenging. Tanya’s albums make for complex listening, but her string of Juno nominations attests to her ability to make difficult music speak a universal tongue.