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Kane Parsons’ *Backrooms* and Curry Barker’s *Obsession* show how online-native horror creators are turning low-budget digital momentum into theatrical wins. Meanwhile, *The Amazing Digital Circus* is testing whether a YouTube-first hit can jump to theaters before landing back online.
This week on The FULL Experience: Murder, She Wrote (118 - "Murder Takes the Bus")
Next week: Murder, She Wrote (718 - "Where Have You Gone, Billy Boy?")
Subscribe, get expanded show notes, and past episodes at http://Cordkillers.com
Support Cordkillers at http://Patreon.com/Cordkillers
YouTube: https://youtu.be/WQvTqpv8S8M
Hosted on Acast. See acast.com/privacy for more information.
By Brian BrushwoodKane Parsons’ *Backrooms* and Curry Barker’s *Obsession* show how online-native horror creators are turning low-budget digital momentum into theatrical wins. Meanwhile, *The Amazing Digital Circus* is testing whether a YouTube-first hit can jump to theaters before landing back online.
This week on The FULL Experience: Murder, She Wrote (118 - "Murder Takes the Bus")
Next week: Murder, She Wrote (718 - "Where Have You Gone, Billy Boy?")
Subscribe, get expanded show notes, and past episodes at http://Cordkillers.com
Support Cordkillers at http://Patreon.com/Cordkillers
YouTube: https://youtu.be/WQvTqpv8S8M
Hosted on Acast. See acast.com/privacy for more information.