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Ossorio's Full Mother and Dubuffet’s Corps de Dame reflect the artists’ belief that, according to Dubuffet, “Painting is a more immediate and direct vehicle than verbal language, much closer to the cry.”

Stop 1 Ossorio's Full Mother and Dubuffet’s Corps de Dame reflect the artists’ belief that, according to Dubuffet, “Painting is a more immediate and direct vehicle than verbal language, much closer to the cry.”

Corps de dame–Château d'Etoupe (Body of a Lady–“Stuffed Castle”), 1950 by Jean Dubuffet

This exhibition reveals a rare cross-cultural artistic dialogue among three prominent artists—American painter Jackson Pollock, American artist and patron of European and American postwar art, Alfonso Ossorio, and French painter Jean Dubuffet.

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Corps de dame–Château d'Etoupe (Body of a Lady–“Stuffed Castle”), 1950 by Jean Dubuffet

Corps de dame–Château d'Etoupe (Body of a Lady–“Stuffed Castle”), 1950 by Jean Dubuffet