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Crisis Averted With WEDNESDAY 13
Interview by Kris Peters
Wednesday 13 is arguably one of the hardest-working musicians out there. From his solo project to celebration tours featuring Murderdolls songs, Wednesday not only lives the excesses of rock and roll debauchery; he sets the bar as well.
Each of his musical undertakings, including Frankenstein Drag Queens From Planet 13 as well as Murderdolls and Wednesday 13, have the same menacing undertones of gore, horror and theatrics, but despite the obvious similarities, Wednesday 13 is much more than a one-trick pony.
Blending the above elements with punk, humour and a ghostly sense of the macabre, Wednesday 13 has his roots deeply embedded in hard rock but transcends the barriers of a plethora of styles and genres that combine to make his music a necessary evil in a world growing increasingly sterile.
2022's Horrifier was met with widespread media and public adulation, but these two things have never mattered when it comes to Wednesday's musical output. It is more about the sense of ambivalence and the irresistible thread that binds everything together that keeps the fire in Wednesday's cauldron burning.
Such is his contribution to music that Wednesday could easily be forgiven for playing it safe with each new album cycle, but in true Wednesday 13 style, safe was the furthest thing on his mind with his new album Mid Death Crisis, which will be unleashed on April 25.
More a step back into the things and a time that gave birth to Wednesday's musical psyche, Mid Death Crisis benefits from production by Alex Kane (Life, Sex & Death, Enuff Z'Nuff, Antiproduct) and a mix courtesy of Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver) that devilishly encapsulates the musical strengths of both while remaining quintessentially the afterbirth of Wednesday 13.
Wednesday spent some time with HEAVY to discuss the album in greater detail. We started by asking if he is confident heading into the album release date.
"Very confident," he replied without hesitation. "With my last few albums I put out, I didn't know if the audience was going to like it as much as I did. And when I was experimenting from albums like Condolences and Necrophaze and all those records, I look back now and those are the experimental records because I did some different things with them. And those were ones I took some chances with, and I wasn't sure if the audience would like them. But they did. This is the one record where I feel pretty confident that they're going to like it. I know it's hit all the bases with what I was trying to go for."
The album is widely touted as a return to Wednesday 13's musical roots, an opinion we put to the man himself.
"I think so," he measured. "After COVID and everything, I had a little time to look back on my career and 20 years of doing Wednesday 13. And I just kind of looked at the whole career and went, well, what do you like best of all this? I started looking at it all, and I went, well, where I started was the most honest and real place for me. And that seemed natural. And I kind of went back to that look, and I went back to that sound, and it was easy to do. It just felt right, and this is more of a hard rock record than it is a metal record, but it's not just like I tried to imitate my first record or anything. It's just in the same spirit, and I feel good about it, like I did on that first record."
In the full interview, Wednesday 13 described Mid Death Crisis as an energetic experience, carefully structured to reflect a live performance, and emphasized that sonically it encapsulates his career and aligns with fan expectations.
He highlighted the song When the Devil Commands as the lead single, crafted to appeal to both existing fans and new listeners, with lyrics inspired by his childhood experiences during the Satanic Panic. He discussed his songwriting philosophy, focusing on natural inspiration from classic horror and pop culture. Additionally, he spoke about his collaboration with Taime Downe, noting its significance due to his admiration for Faster Pussycat. We spoke about his song titles and where they come from, coming up with fresh sounding material the more you write, future and current tours and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Wednesday 13 is arguably one of the hardest-working musicians out there. From his solo project to celebration tours featuring Murderdolls songs, Wednesday not only lives the excesses of rock and roll debauchery; he sets the bar as well.
Each of his musical undertakings, including Frankenstein Drag Queens From Planet 13 as well as Murderdolls and Wednesday 13, have the same menacing undertones of gore, horror and theatrics, but despite the obvious similarities, Wednesday 13 is much more than a one-trick pony.
Blending the above elements with punk, humour and a ghostly sense of the macabre, Wednesday 13 has his roots deeply embedded in hard rock but transcends the barriers of a plethora of styles and genres that combine to make his music a necessary evil in a world growing increasingly sterile.
2022's Horrifier was met with widespread media and public adulation, but these two things have never mattered when it comes to Wednesday's musical output. It is more about the sense of ambivalence and the irresistible thread that binds everything together that keeps the fire in Wednesday's cauldron burning.
Such is his contribution to music that Wednesday could easily be forgiven for playing it safe with each new album cycle, but in true Wednesday 13 style, safe was the furthest thing on his mind with his new album Mid Death Crisis, which will be unleashed on April 25.
More a step back into the things and a time that gave birth to Wednesday's musical psyche, Mid Death Crisis benefits from production by Alex Kane (Life, Sex & Death, Enuff Z'Nuff, Antiproduct) and a mix courtesy of Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver) that devilishly encapsulates the musical strengths of both while remaining quintessentially the afterbirth of Wednesday 13.
Wednesday spent some time with HEAVY to discuss the album in greater detail. We started by asking if he is confident heading into the album release date.
"Very confident," he replied without hesitation. "With my last few albums I put out, I didn't know if the audience was going to like it as much as I did. And when I was experimenting from albums like Condolences and Necrophaze and all those records, I look back now and those are the experimental records because I did some different things with them. And those were ones I took some chances with, and I wasn't sure if the audience would like them. But they did. This is the one record where I feel pretty confident that they're going to like it. I know it's hit all the bases with what I was trying to go for."
The album is widely touted as a return to Wednesday 13's musical roots, an opinion we put to the man himself.
"I think so," he measured. "After COVID and everything, I had a little time to look back on my career and 20 years of doing Wednesday 13. And I just kind of looked at the whole career and went, well, what do you like best of all this? I started looking at it all, and I went, well, where I started was the most honest and real place for me. And that seemed natural. And I kind of went back to that look, and I went back to that sound, and it was easy to do. It just felt right, and this is more of a hard rock record than it is a metal record, but it's not just like I tried to imitate my first record or anything. It's just in the same spirit, and I feel good about it, like I did on that first record."
In the full interview, Wednesday 13 described Mid Death Crisis as an energetic experience, carefully structured to reflect a live performance, and emphasized that sonically it encapsulates his career and aligns with fan expectations.
He highlighted the song When the Devil Commands as the lead single, crafted to appeal to both existing fans and new listeners, with lyrics inspired by his childhood experiences during the Satanic Panic. He discussed his songwriting philosophy, focusing on natural inspiration from classic horror and pop culture. Additionally, he spoke about his collaboration with Taime Downe, noting its significance due to his admiration for Faster Pussycat. We spoke about his song titles and where they come from, coming up with fresh sounding material the more you write, future and current tours and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
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By HEAVY MagazineInterview by Kris Peters
Wednesday 13 is arguably one of the hardest-working musicians out there. From his solo project to celebration tours featuring Murderdolls songs, Wednesday not only lives the excesses of rock and roll debauchery; he sets the bar as well.
Each of his musical undertakings, including Frankenstein Drag Queens From Planet 13 as well as Murderdolls and Wednesday 13, have the same menacing undertones of gore, horror and theatrics, but despite the obvious similarities, Wednesday 13 is much more than a one-trick pony.
Blending the above elements with punk, humour and a ghostly sense of the macabre, Wednesday 13 has his roots deeply embedded in hard rock but transcends the barriers of a plethora of styles and genres that combine to make his music a necessary evil in a world growing increasingly sterile.
2022's Horrifier was met with widespread media and public adulation, but these two things have never mattered when it comes to Wednesday's musical output. It is more about the sense of ambivalence and the irresistible thread that binds everything together that keeps the fire in Wednesday's cauldron burning.
Such is his contribution to music that Wednesday could easily be forgiven for playing it safe with each new album cycle, but in true Wednesday 13 style, safe was the furthest thing on his mind with his new album Mid Death Crisis, which will be unleashed on April 25.
More a step back into the things and a time that gave birth to Wednesday's musical psyche, Mid Death Crisis benefits from production by Alex Kane (Life, Sex & Death, Enuff Z'Nuff, Antiproduct) and a mix courtesy of Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver) that devilishly encapsulates the musical strengths of both while remaining quintessentially the afterbirth of Wednesday 13.
Wednesday spent some time with HEAVY to discuss the album in greater detail. We started by asking if he is confident heading into the album release date.
"Very confident," he replied without hesitation. "With my last few albums I put out, I didn't know if the audience was going to like it as much as I did. And when I was experimenting from albums like Condolences and Necrophaze and all those records, I look back now and those are the experimental records because I did some different things with them. And those were ones I took some chances with, and I wasn't sure if the audience would like them. But they did. This is the one record where I feel pretty confident that they're going to like it. I know it's hit all the bases with what I was trying to go for."
The album is widely touted as a return to Wednesday 13's musical roots, an opinion we put to the man himself.
"I think so," he measured. "After COVID and everything, I had a little time to look back on my career and 20 years of doing Wednesday 13. And I just kind of looked at the whole career and went, well, what do you like best of all this? I started looking at it all, and I went, well, where I started was the most honest and real place for me. And that seemed natural. And I kind of went back to that look, and I went back to that sound, and it was easy to do. It just felt right, and this is more of a hard rock record than it is a metal record, but it's not just like I tried to imitate my first record or anything. It's just in the same spirit, and I feel good about it, like I did on that first record."
In the full interview, Wednesday 13 described Mid Death Crisis as an energetic experience, carefully structured to reflect a live performance, and emphasized that sonically it encapsulates his career and aligns with fan expectations.
He highlighted the song When the Devil Commands as the lead single, crafted to appeal to both existing fans and new listeners, with lyrics inspired by his childhood experiences during the Satanic Panic. He discussed his songwriting philosophy, focusing on natural inspiration from classic horror and pop culture. Additionally, he spoke about his collaboration with Taime Downe, noting its significance due to his admiration for Faster Pussycat. We spoke about his song titles and where they come from, coming up with fresh sounding material the more you write, future and current tours and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.
Wednesday 13 is arguably one of the hardest-working musicians out there. From his solo project to celebration tours featuring Murderdolls songs, Wednesday not only lives the excesses of rock and roll debauchery; he sets the bar as well.
Each of his musical undertakings, including Frankenstein Drag Queens From Planet 13 as well as Murderdolls and Wednesday 13, have the same menacing undertones of gore, horror and theatrics, but despite the obvious similarities, Wednesday 13 is much more than a one-trick pony.
Blending the above elements with punk, humour and a ghostly sense of the macabre, Wednesday 13 has his roots deeply embedded in hard rock but transcends the barriers of a plethora of styles and genres that combine to make his music a necessary evil in a world growing increasingly sterile.
2022's Horrifier was met with widespread media and public adulation, but these two things have never mattered when it comes to Wednesday's musical output. It is more about the sense of ambivalence and the irresistible thread that binds everything together that keeps the fire in Wednesday's cauldron burning.
Such is his contribution to music that Wednesday could easily be forgiven for playing it safe with each new album cycle, but in true Wednesday 13 style, safe was the furthest thing on his mind with his new album Mid Death Crisis, which will be unleashed on April 25.
More a step back into the things and a time that gave birth to Wednesday's musical psyche, Mid Death Crisis benefits from production by Alex Kane (Life, Sex & Death, Enuff Z'Nuff, Antiproduct) and a mix courtesy of Steve Evetts (The Dillinger Escape Plan, Prong, DevilDriver) that devilishly encapsulates the musical strengths of both while remaining quintessentially the afterbirth of Wednesday 13.
Wednesday spent some time with HEAVY to discuss the album in greater detail. We started by asking if he is confident heading into the album release date.
"Very confident," he replied without hesitation. "With my last few albums I put out, I didn't know if the audience was going to like it as much as I did. And when I was experimenting from albums like Condolences and Necrophaze and all those records, I look back now and those are the experimental records because I did some different things with them. And those were ones I took some chances with, and I wasn't sure if the audience would like them. But they did. This is the one record where I feel pretty confident that they're going to like it. I know it's hit all the bases with what I was trying to go for."
The album is widely touted as a return to Wednesday 13's musical roots, an opinion we put to the man himself.
"I think so," he measured. "After COVID and everything, I had a little time to look back on my career and 20 years of doing Wednesday 13. And I just kind of looked at the whole career and went, well, what do you like best of all this? I started looking at it all, and I went, well, where I started was the most honest and real place for me. And that seemed natural. And I kind of went back to that look, and I went back to that sound, and it was easy to do. It just felt right, and this is more of a hard rock record than it is a metal record, but it's not just like I tried to imitate my first record or anything. It's just in the same spirit, and I feel good about it, like I did on that first record."
In the full interview, Wednesday 13 described Mid Death Crisis as an energetic experience, carefully structured to reflect a live performance, and emphasized that sonically it encapsulates his career and aligns with fan expectations.
He highlighted the song When the Devil Commands as the lead single, crafted to appeal to both existing fans and new listeners, with lyrics inspired by his childhood experiences during the Satanic Panic. He discussed his songwriting philosophy, focusing on natural inspiration from classic horror and pop culture. Additionally, he spoke about his collaboration with Taime Downe, noting its significance due to his admiration for Faster Pussycat. We spoke about his song titles and where they come from, coming up with fresh sounding material the more you write, future and current tours and more.
Become a supporter of this podcast: https://www.spreaker.com/podcast/heavy-music-interviews--2687660/support.