Thomas Wilkins conducts three works featuring unique musical visions of America, capped with Dvořák’s majestic New World Symphony, which draws on African American and Native American source materials. Coleridge-Taylor’s ballet suite captures the spirit of Longfellow’s epic poem The Song of Hiawatha. CSO Principal Clarinet Stephen Williamson performs Copland’s Clarinet Concerto, premiered by Benny Goodman, which features a rollicking blend of jazz and classical sounds.

Learn more: cso.org/performances/22-23/cso-classical/coleridge-taylor-copland-and-dvorak-9

CSO Program Notes: Coleridge-Taylor, Copland & Dvořák 9

Founded in 1891, the Chicago Symphony Orchestra is consistently hailed as one of the greatest orchestras in the world. In collaboration with the best conductors and guest artists on the international music scene, the CSO performs well over one hundred concerts each year at its downtown home, Symphony Center, and at the Ravinia Festival on Chicago’s North Shore, where it is in residency each summer. Music lovers outside Chicago enjoy the sounds of the Chicago Symphony Orchestra through best-selling recordings and frequent sold-out tour performances in the United States and around the globe.

Visit cso.org for tickets and information.

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Elim Chan leads Rimsky-Korsakov’s sumptuous symphonic suite Sheherazade, inspired by the legendary heroine and tales of One Thousand and One Nights. Paul Jacobs, “a virtuoso of dazzling technical acumen” (The New York Times), performs Barber’s Toccata festiva, an exuberant showcase for organ containing echoes of J.S. Bach.

Learn more: cso.org/performances/23-24/cso-classical/sheherazade

CSO Program Notes: Sheherazade

Two mighty orchestras present a rousing, jazz-meets-classical event. Discover selections from Prokofiev’s Romeo and Juliet, alternating between the original orchestral version performed by the Chicago Symphony Orchestra and imaginative new jazz arrangements presented by the Jazz at Lincoln Center Orchestra. Both ensembles join forces for a selection from Wynton Marsalis’ Swing Symphony, which The Telegraph calls “a journey through jazz history and the sounds of America itself.”

Learn more: cso.org/performances/23-24/cso-classical/cso-x-jazz-at-lincoln-center-orchestra

CSO Program Notes: CSO x Jazz at Lincoln Center Orchestra with Wynton Marsalis

Tugan Sokhiev conducts Tchaikovsky’s youthful First Symphony, nicknamed Winter Dreams for its cozy evocation of Russian winters. Chopin’s exuberant Piano Concerto No. 1 features Russian pianist Yulianna Avdeeva, described by the Pittsburgh Post-Gazette as “a one-woman powerhouse” who “stole the show.” Andrzej Panufnik’s Heroic Overture, composed in 1952, is a tribute to the courageous spirit of the Polish people.

Learn more: cso.org/performances/23-24/cso-classical/chopin-and-tchaikovsky

CSO Program Notes: Chopin & Tchaikovsky

The 19th century’s most enduring oratorio, Mendelssohn’s Elijah, sung here in English, depicts the story of the biblical prophet Elijah, complete with his ascent to heaven on a flaming chariot. James Conlon leads the assembled forces, including Chicago favorite Lucas Meachem in the mighty title role and the Chicago Symphony Chorus performing the work’s pensive and ecstatic ensembles.

Learn more: cso.org/performances/23-24/cso-classical/mendelssohn-elijah

CSO Program Notes: Mendelssohn Elijah

Sol Gabetta, whose “enthusiastic music-making and animated style are completely infectious” (Classical Voice), makes her CSO debut in Shostakovich’s captivating Cello Concerto No. 1 — a riveting journey through themes of defiance, sorrow and triumph. Electrifying conductor Klaus Mäkelä frames the program with Shostakovich’s Tenth Symphony, a searing portrait of the composer’s tormented life in Stalinist Russia, and the U.S. premiere of Sauli Zinovjev’s vibrant Batteria.

Please note: Pianist Yuja Wang, who was scheduled to perform Bartók’s Piano Concerto No. 2 on this program, has withdrawn from these concerts.

Learn more: cso.org/performances/23-24/cso-classical/klaus-makela-and-sol-gabetta

CSO Program Notes: Coleridge-Taylor, Copland & Dvořák 9

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