The May 1980 clash between government forces and the people of Gwangju marks a key turning point toward democracy in South Korea.  The nation’s sixth largest city, the citizens of Gwangju suffered immeasurably for the uprising. The city lost development support and its citizens were cast as traitors and North Korean sympathizers.  The decision to select Gwangju to host a major international art exhibition, or what became known as the Gwangju Biennale, was an effort to address the injustices of the past.  Author of The Cultural Politics of Urban Development in South Korea: Art, Memory and Urban Boosterism in Gwangju, HaeRan Shin discusses the challenge of reconciling urban development with the memory of the Gwangju Uprising.