A deep dive into cymatics—the study of visible patterns produced by vibration. We trace its history from Hooke's flour-drag experiments on a vibrating plate to Chladni's sand figures, then to Faraday's liquid waves and Hans Jenny's iconic imagery. We explore how a medium's geometry predetermines the possible patterns, how modern engineers use sound as an invisible mold for materials and microstructures, and how artists like Björk have brought these patterns to life on stage, including the sacred om symbol that can emerge in sound. 

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