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D-Composed: Black Creativity in Chamber Music
In this episode of Black Music Seen, host David Norville sits down with four members of the Chicago-based chamber music collective D-Composed:
Caitlin Edwards (violin)
Tahirah Whittington (cello)
Khelsey Zarraga (violin)
Wilfred Farquharson (viola)
Together, they share the story behind an ensemble that is reshaping what classical music can look and feel like.
Founded to center Black composers, Black musicians, and Black audiences, D-Composed has spent nearly a decade creating musical experiences that go far beyond the traditional concert hall. Their work blends chamber music with storytelling, meditation, poetry, and community-centered programming designed to invite audiences into deeper reflection and connection.
D-Composed Transcript
In this conversation, the ensemble reflects on:
• Their personal musical journeys
• The origins and mission of D-Composed
• Reimagining classical performance spaces
• Collaborations with artists across disciplines
• The power of representation in music
• Creating environments where musicians and audiences can show up fully as themselves
They also discuss how D-Composed programs concerts that intentionally weave together Black composers, contemporary artists, poetry, and storytelling to create immersive experiences rooted in community and cultural expression.
D-Composed Transcript
From performing Destiny’s Child arrangements to presenting works by Florence Price and Daniel Bernard Roumain, D-Composed is demonstrating how classical instruments can carry the full spectrum of Black musical traditions.
This conversation offers a powerful look at what happens when artistry, community, and vision come together to build something new.
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By Black Orchestral NetworkIn this episode of Black Music Seen, host David Norville sits down with four members of the Chicago-based chamber music collective D-Composed:
Caitlin Edwards (violin)
Tahirah Whittington (cello)
Khelsey Zarraga (violin)
Wilfred Farquharson (viola)
Together, they share the story behind an ensemble that is reshaping what classical music can look and feel like.
Founded to center Black composers, Black musicians, and Black audiences, D-Composed has spent nearly a decade creating musical experiences that go far beyond the traditional concert hall. Their work blends chamber music with storytelling, meditation, poetry, and community-centered programming designed to invite audiences into deeper reflection and connection.
D-Composed Transcript
In this conversation, the ensemble reflects on:
• Their personal musical journeys
• The origins and mission of D-Composed
• Reimagining classical performance spaces
• Collaborations with artists across disciplines
• The power of representation in music
• Creating environments where musicians and audiences can show up fully as themselves
They also discuss how D-Composed programs concerts that intentionally weave together Black composers, contemporary artists, poetry, and storytelling to create immersive experiences rooted in community and cultural expression.
D-Composed Transcript
From performing Destiny’s Child arrangements to presenting works by Florence Price and Daniel Bernard Roumain, D-Composed is demonstrating how classical instruments can carry the full spectrum of Black musical traditions.
This conversation offers a powerful look at what happens when artistry, community, and vision come together to build something new.