Discusses the showing of Dalí’s work, Memory of the Child-Woman, in the 1939 great exhibition of modern art, during an era where Dalí’s reputation as a significant artist preceded the arrival of his work.
Discusses the showing of Dalí’s work, Memory of the Child-Woman, in the 1939 great exhibition of modern art, during an era where Dalí’s reputation as a significant artist preceded the arrival of his work.