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(episode suddenly ends because of laptop crash) In this episode, we dive into the difference between dancing at home versus dancing in class—and whether there’s a disconnect with the music when dancers aren’t fully immersed in it on their own. Briana shares her personal process of how she begins writing a song, and we connect that to how dancers start creating—whether it’s from the music itself or from a feeling first. We also explore the tension between the need for teaching foundations and whether there’s actually a strong desire for learning them in today’s dance culture.
If you want it a little sharper and more compelling:
In this episode, we unpack what happens when dancers only dance in class—and whether that creates a disconnect from the music. Briana breaks down how she starts writing a song, sparking a conversation about whether movement (and music) begins with sound or feeling. We also challenge the culture around foundations: Is there just a need for them, or do dancers genuinely want to learn them?
By Gerald Lovelace, Briana Maia5
33 ratings
(episode suddenly ends because of laptop crash) In this episode, we dive into the difference between dancing at home versus dancing in class—and whether there’s a disconnect with the music when dancers aren’t fully immersed in it on their own. Briana shares her personal process of how she begins writing a song, and we connect that to how dancers start creating—whether it’s from the music itself or from a feeling first. We also explore the tension between the need for teaching foundations and whether there’s actually a strong desire for learning them in today’s dance culture.
If you want it a little sharper and more compelling:
In this episode, we unpack what happens when dancers only dance in class—and whether that creates a disconnect from the music. Briana breaks down how she starts writing a song, sparking a conversation about whether movement (and music) begins with sound or feeling. We also challenge the culture around foundations: Is there just a need for them, or do dancers genuinely want to learn them?