
Sign up to save your podcasts
Or


A podcast about movie making and the scifi featurette, Daughter of God, with Director Shri Fugi Spilt, (Dan Kelly). Editorial – Deeper through 2006.
Welcome to the Daughter of Godcast, here we are cozy together at last! we could be halfway through the story of the making of Daughter of God or maybe just 1/3 of the way. We’re a ways, that’s for sure, episode 016, and there’s still so much to tell, you lucky people. Of course, I am the luckiest of all, since all I’m required to do is ramble on, while you might have to be doing dishes or changing diapers while your listening, unless you’re watching me too in which case, hi! Let’s see if we can blow through 2006.
2006 was a eventful year. I’d been living in Brooklyn for two years and had a pretty sweet groove going. A great place to live, creative friends and had started my first featurette, although I initially thought I was making a short. Of the many friends that have croaked while I’ve been making DOG, the first one died in 2006.
I kept a trickle of cash and beaucoup inspiration flowing documenting live performance, I co-hosted dance parties and music jams at the United Gardens, repeatedly struck out romantically and went way beyond the Daughter of God rough cut, as I gradually found answers to why I wanted to make movies.
A rough cut is an assembly of shots roughly corresponding to the screenplay, with perhaps some placeholder media, like music. The June 2006 rough cut starts with simple music I whipped up and opening shots of Gerry, Christina and the big boat. Christina boards the boat, walks down the passage and climbs the stairs to her cabin. Uncle Joe shows up, he and Christina talk, then he’s gone. Christina changes, sped up footage with some cross fades
By Uncle Joe
A podcast about movie making and the scifi featurette, Daughter of God, with Director Shri Fugi Spilt, (Dan Kelly). Editorial – Deeper through 2006.
Welcome to the Daughter of Godcast, here we are cozy together at last! we could be halfway through the story of the making of Daughter of God or maybe just 1/3 of the way. We’re a ways, that’s for sure, episode 016, and there’s still so much to tell, you lucky people. Of course, I am the luckiest of all, since all I’m required to do is ramble on, while you might have to be doing dishes or changing diapers while your listening, unless you’re watching me too in which case, hi! Let’s see if we can blow through 2006.
2006 was a eventful year. I’d been living in Brooklyn for two years and had a pretty sweet groove going. A great place to live, creative friends and had started my first featurette, although I initially thought I was making a short. Of the many friends that have croaked while I’ve been making DOG, the first one died in 2006.
I kept a trickle of cash and beaucoup inspiration flowing documenting live performance, I co-hosted dance parties and music jams at the United Gardens, repeatedly struck out romantically and went way beyond the Daughter of God rough cut, as I gradually found answers to why I wanted to make movies.
A rough cut is an assembly of shots roughly corresponding to the screenplay, with perhaps some placeholder media, like music. The June 2006 rough cut starts with simple music I whipped up and opening shots of Gerry, Christina and the big boat. Christina boards the boat, walks down the passage and climbs the stairs to her cabin. Uncle Joe shows up, he and Christina talk, then he’s gone. Christina changes, sped up footage with some cross fades