A podcast about movie making and the science fiction featurette, Daughter of God, with Director Shri Fugi Spilt, (Dan Kelly). Daughter of Godcast, Episode 063, Emergence. Coming out of the closet big time about knowing how the universe works, the meaning of life and how dreams come true.

What a wonderful adventure. This is episode 063, Emergence. Sipapu, where we pop out of a hole and enter creation. That’s a Pueblo people’s myth, at least that’s what the white skins said back in the early 80s when I was tramping through the Canyonlands in Outward Bound’s 9th and last Leadership Development Program. We’re not going back that far in this episode, mostly early 2016 when I was writing every morning, doing focus wheels and rampages of appreciation, techniques for following an unproductive thought or feeling to the inherent boon, the blessing, the revelation.

My conception of the cosmos had been reorganized in 2015. My heart break experience was auspicious, because I was uniquely prepared for the story told by infinite intelligence via this lovely woman Ester Hicks. Yep, that lady who channels.

In 2004, I saw What the Bleep Do We Know in the theaters, with Bob, Cynthia and Brent and eventually ended up with two sets of the DVDs. Channeling had been on the periphery of my radar, I’d been exposed to the Seth books but they didn’t stick. What the Bleep put channeling on my radar, and the entity Ramtha. I wasn’t all that impressed with Ramtha, he seemed full of himself for an enlightened being so I was kinda skeptical about channeling.

As we’ve established in this podcast, I’m pretty open to the whole of human experience. The scientific method is very useful, a fantastic tool. That’s all science is, a helpful tool. Where the science obsessed folks stumble is in missing the obvious, that we are living a miracle, in the Arthur C Clarke third law sense.

Which is – Any sufficiently advanced technology is indistinguishable from magic.

I’m surrounded by magic and miracles, technology so advanced that we might as well call it magic. We human beings are the highest technology walking. We live on a giant living starship, a talking starship and plenty of people never give this a second thought. They cling to a version of science that is primitive in the extreme and call themselves skeptics, rational.

I found What the Bleep to be both intriguing and slightly hokey, similar to another documentary released in June of that year, Micheal Moore’s Fahrenheit 911. Adjusted for inflation, Bleep did about 10 million in box office compared to Fahrenheit, the highest grossing documentary at $119 million. I make this comparison just to illustrate the zeitgeist, political machinations vs the nature of existence, what were Americans more intrigued by in 2004?

These box office numbers might also reinforce my theme park Earth premise. We’re more into the dirty details of this mortality simulation than our divinity, because Earth is what’s for dinner. We came here deliberately. Rarely do we think about our income taxes while screaming on a roller coaster. Earth is a hilarious and hair raising ride, super immersive. That’s an apt analogy actually, feeling fullness is about as interesting to some folks as doing their taxes. I love this!

The main reason I found Fahrenheit hokey was the lack of curiosity about the anomalous physics in the twin towers collapse. We had to wait for innovative internet phenomena like Loose Change and Zeitgeist the movie to get that party started.

Tangents, gotta love them too. So… What the Bleep was my first exposure to channeling, and the entity Ramtha lef