This is the Daughter of Godcast, Season 2 Crowd Creation where you make the movie, Episode 083, Relief.

I’m just back from Detroit and Motor City Madness, my first model car swap and sale. My mission there was to expand the Toy Universe  for Daughter of God. I arrived a couple of hours before the end, I could have easily spent another hour or two looking at the all diecasts and kits. I did score a couple of choice vehicles that will work as miniatures. Curiously, the attendees were mostly white dudes over 35. I’ve broken through to a topsy turvy universe, where teenage boys no longer yearn for their driver’s license, and scale models of cars are mostly built by middle aged men.

Feedback for V2 was lean, prolly because I missed my Wednesday AM posting window last week and V2 was a revision, not brand new. All’s well, this episode will be short and sweet, and we can bring a few other pots to the front burner.

Relations have gone from awkward to incoherent between our the two seemingly mismatched people. Both seem frustrated and slightly on edge, but a drawer of vintage paperbacks points to an epiphany.

What’s new in V2 for you?

For Anonymous via email, the polish was inconsequential “I‘m guessing that some technical stuff that was mentioned has happened but what i was focusing on seems the same.

And what was Anonymous focused on?

and

maybe others are not familiar with pk dick but it seems that to science fiction readers he was the ‘creator of the genre’ and thus ‘god’

There would vigorous debate among the nerd class as to whether PKD was the creator of the genre, and therefor the god of science fiction. Certainly PKD is up there in the pantheon. What I take from anonymous is that PKD is certainly God for the characters in his stories, even if they can’t name him as such. Since PKD’s books are featured in DOG, he is certainly present, I’m tickled to have him as a collaborative divinity. Good on you, Anonymous.

In hindsight, I don’t think my feedback question was clear. I was mostly interested in whether the polish enhanced or changed the emotional experience of the scene. Seamus gave an inventory of the changes he noticed.

Seamus via dog.movie

(snip) Most interesting, you changed the background behind his head at 0:22. Where before was a wall of hangars, there now is some device which I can’t identify. I’m intrigued to know why this change was made.

My reply,

The device behind his head is present in Rabbit and Dog and might be more clearly seen there. So… continuity. The reason the device appears at all could be backstory or maybe context, I’d be curious to know what you think the device might be or do. (snip) There are lots of details like the device that are not yet present in these live action scenes because 1) I’m still building them and 2) I don’t want to clutter up the feedback.

Seamus then continues with “technical details” that is to say, mistakes.

(snip) “Also, both characters seem oddly brightly, warmly lit in the otherwise dim room. Finally, the drawer doesn’t appear to be fully open in the clip at the very end, which might be a continuity error.”

The drawer is definitely a mistake, a significant continuity error that everyone else missed the first time around, including me. Yay Seamus! The color correction is deliberate, and might have to be dialed in.

From Seamus’s feedback, I can declare the polish effort for V2 a limited success. Clean