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My guest this week is sound engineer Dave Sinko, who returns to chat about The David Grisman Quintet.
We've talked about that record a lot on the podcast, but this is less about the story behind the album and more about how it influenced Dave and informed the way he approaches recording. In his words 'it changed my life.'
We chat about his subsequent work with members of the DGQ, including Grisman himself, and recording Tony Rice for a project with Alison Brown. We also discuss how that first DGQ record set the standard for what acoustic instruments could and should sound like, the contributions Bill Wolf and Bob Shumaker made to recording acoustic music and how Dave approaches miking instruments, based on what he learned from the first DGQ album, including on Chris Thile's latest Bach album, an extraordinary and challenging project to work on.
I hope you enjoy this one as much as I did.
Hosted on Acast. See acast.com/privacy for more information.
By Matt HutchinsonMy guest this week is sound engineer Dave Sinko, who returns to chat about The David Grisman Quintet.
We've talked about that record a lot on the podcast, but this is less about the story behind the album and more about how it influenced Dave and informed the way he approaches recording. In his words 'it changed my life.'
We chat about his subsequent work with members of the DGQ, including Grisman himself, and recording Tony Rice for a project with Alison Brown. We also discuss how that first DGQ record set the standard for what acoustic instruments could and should sound like, the contributions Bill Wolf and Bob Shumaker made to recording acoustic music and how Dave approaches miking instruments, based on what he learned from the first DGQ album, including on Chris Thile's latest Bach album, an extraordinary and challenging project to work on.
I hope you enjoy this one as much as I did.
Hosted on Acast. See acast.com/privacy for more information.