The epic fight from the previous day puts the session on hold for the weekend. Mixerman explains some of the outside pressures and tensions that the band was facing. He then talks about how his documentation of this session has proven to be nothing short of an exhausting obsession. Episode Credits: Music <a href='https://open.spotify.com/album/3hI171uNl48U20ntSbM0ta'>Music by Ioan Harea from his album Classic Gypsy</a>, produced by Aardvark. 1. Two Guitars 2. Csardaz Narrated by Mixerman Produced by Aardvark (the best producer in the world) and Mixerman

The epic fight from the previous day puts the session on hold for the weekend. Mixerman explains some of the outside pressures and tensions that the band was facing. He then talks about how his documentation of this session has proven to be nothing short of an exhausting obsession. Episode Credits: Music Music by Ioan Harea from his album Classic Gypsy, produced by Aardvark. 1. Two Guitars 2. Csardaz Narrated by Mixerman Produced by Aardvark (the best producer in the world) and Mixerman

The epic fight from the previous day puts the session on hold for the weekend. Mixerman explains some of the outside pressures and tensions that the band was facing. He then talks about how his documentation of this session has proven to be nothing short of an exhausting obsession. Episode Credits: Music <a href="https://open.spotify.com/album/3hI171uNl48U20ntSbM0ta" rel="noopener noreferrer">Music by Ioan Harea from his album Classic Gypsy</a>, produced by Aardvark. 1. Two Guitars 2. Csardaz Narrated by Mixerman Produced by Aardvark (the best producer in the world) and Mixerman

Day 10 The Albatross

Mixerman is a Los Angeles recording engineer who in the summer of 2002, on nothing more than a hunch, began to chronicle the daily events of his Major Label recording session with a bidding-war band, an infamous producer, and a limitless budget. And he did it in real-time—each night posting his entries on the Internet, withholding only the true identities of those he writes about. As Gina Arnold from Metro Newspapers reported at the time: "Mixerman is supposed to be writing about recording techniques, but somehow, through that prism, he has hit upon a gripping story. In this podcast, you will hear an audio dramatization of the story, as narrated by Mixerman, complete with music, foley, sound fx, and character performances by some of the most famous engineers and producers in the music business.

Share Day 10 The Albatross

Sign up to save your podcasts

Day 10 The Albatross

Day 10 The Albatross