It’s difficult to imagine “The Godfather’s” torrid Sicily scenes being filmed anywhere but Italy. Yet, if Paramount executives had gotten their way, Michael Corleone’s love affair with Apollonia—played by Simonetta Stefanelli, an unknown actress who spoke no English—would’ve transpired on a Los Angeles studio lot. Fortunately, things didn’t turn out that way. “The Godfather” decamped for Sicily in the summer of 1971, and no one was more pleased about this change of scenery than Francis Ford Coppola, who was finally able to distance himself from the overbearing Robert Evans and his spy Jack Ballard. Coppola’s respite wouldn’t last long, though. He returned to America with 90 hours of footage badly in need of editing. Naturally, Evans and his fellow bigwigs had opinions about that, too. In Episode Eight, Mark and Nathan follow Coppola and the cast and crew on their journey across the Atlantic and back again, discussing the director’s original three-hour cut of the film, Nino Rota’s iconic score that almost never was, and Evans’s tennis injury and subsequent drug addiction. 

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